Quotes About Vampire

When she was a little girl, her aunt, in order to frighten her, insisted that the vampire – the one that sucks human blood by biting its victims in the flesh of the neck – casts no reflection in the mirror. She reckoned that it might not be such a bad thing being a vampire, for the blood would add a touch of pink to her sallow complexion. For she gave the impression of having no blood unless a day might come when she would have to spill it.

When she was a little girl, her aunt, in order to frighten her, insisted that the vampire - the ones that sucks human blood by biting its victims in the flesh of the neck - casts no reflection in the mirror. She reckoned that it might not be such a bad thing being a vampire, for the blood would add a touch of punk to her sallow complexion. For she gave the impression of having no blood unless a day might come when she would have to spill it.

Being infected, being a vampire, it' s always you. Maybe it' s more you than ever before. It' s you as you always were, deep down inside.

We labor under so many illusions about ourselves until we're stripped bare. Being infected, being a vampire, it's always you. Maybe it's more you than ever before. You, distilled. You, boiled down like a sauce. But it's you as you always were, deep down inside.

Maybe it was that nearly everyone else was dead and she felt a little bit dead too, but she figured that even a vampire deserved to be saved. Maybe she ought to leave him, but she wasn't going to.

Lucien," Gavriel said, "if you're proposing a duel, I believe she gets to pick the weapon. I hope she picks me.

Are you sure?" Aidan asked, "Gavriel's still a vampire." "He warned me about you and about them. He didn't have to. I'm not going to repay that by-" she hesitated, then frowned. "What did you call him?" "That's his name," Aidan sighed, "Gavriel. The other vampires, while they were tying me to the bed, they said his name." "Oh." With a final tug she pulled the blanked free and tossed it over to 'Gavriel

His wax-white skin was cool to the touch when she brushed his neck to find the knot of cloth. She'd never been this close to a vampire,never realized what it would be like to be so near to someone who didn't breathe, who could be as still as any statue. His chest neither rose not fell. Her hands shook.

Fine, fine, everyone's fine," the vampire said. "Fine as scattered pieces of sand.

They have a friend—" Tana began. "I have a friend, too," said Gavriel. "And I mean to kill him.

What got you chained up?" she asked the vampire. "I fell in with bad company," he said, straight-faced, and for a moment she wasn't sure if he was joking. It rattled her, the idea that he might have a sense of humor. "Be careful," Aidan called from the bed. "You don't know what he might do." "We all know what you'd do, though, don't we?" the vampire accused Aidan in his silky voice.

Fine, fine, everyone's fine," said the vampire, a mad gleam in his red eyes, crossing his arms over his chest as Bela Lugosi did in black-and-white films. "Fine as scattered pieces of sand." She wondered how much effort it had taken him to talk to her the way he had—to, what was it he'd said? Keeping my thoughts clearly ordered—and how crazy he was going to be now, as a result of that strain.

She was unprepared for how much the way into Coldtown looked like a shoddily run DMV.

The vampire looked at her in bewilderment. Then he glanced toward the door and his expression grew sly. "If you free me, I could hold them off.

The Thorn of Istra, the mad vampire. She thought of the grainy video of him she had seen, head tipped back, so covered in blood that she hadn't remembered his features, hadn't remembered him as looking like anything but a monster, laughing, endlessly laughing. Mad as a dog. Mad as a god. Gavriel.

And yet it had happened. A window had been left open to the night, and a vampire had crawled through.

I don't want to be a vampire, she told herself over and over again. But in her dreams, she kind of did.

I'm the kind of vampire that you'd be, one who's new at this and basically out of control. I've already killed someone and I can't guarantee I'm not going to do it again. I'm the one who infected this girl.

A vampire is a flexible metaphor. You know, death, sex, change, stagnation, loss of self, loss of agency, having to keep one's real self secret, the possibility of something lasting forever: love, hate, grief.

I'm an energy vampire. I just suck off everybody's energy. But I give it back.

Interview With a Vampire' is one of my favorite movies of all time. 'Queen of the Damned,' not so much one of my favorite movies, but it's one of the best soundtracks of all time.

For 'Fright Night,' we really want to convey the fun attitude of the movie and show the intensity of Colin Farrell as a predator. He's not a brooding vampire - he's dark and dangerous.

On one level, this was the biggest challenge out there - to make a film of this scope, in this amount of time, and to go into a different genre, essentially. Yes, I've done a vampire film, but 'Eclipse' is a very different kind of thing. This is a romantic story, which swings from a darker, more abject feeling to very pure romantic scenes.

Joss Whedon who created 'Buffy The Vampire Slayer,' 'Angel,' and all that... he is a genius.