Quotes About Learning

I didn't have a regular school experience and wanted a more abstract way of learning. I started exploring in lots of different creative ways. It gave me the opportunity to travel and play music, so it was good for me.

I went to a regular school... education kept me sane.

To be a series regular for two seasons taught me so much about what it takes to be on a TV schedule and work those kind of hours and just work in front of a camera in general.

I try to learn from Falcao, and Manu Riviere as well - his movement is excellent - it's really good for me. I need to work on my movement and my finishing, but seeing these guys on a regular basis gives me a benchmark.

You learn the most from sitting down and doing the work, regularly, patiently, sometimes in hope, sometimes despairingly.

I used a bike in London and that's it. I learnt a lot about biking, and really got into. Now I cycle regularly.

Fortunately, I'm very healthy, and my body is still intact. It hasn't aged very much, I feel like a very young 56. I exercise regularly, and when I do, I always learn new things about my body.

I think there is no better way for our players to improve and learn to perform under pressure than playing regularly with India.

Doing improv regularly forces you to be better almost without trying.

One may as well be asleep as to read for anything but to improve his mind and morals, and regulate his conduct.

I believe there's only one regulation in life that works: failure.

Before playing with his equals, the child is influenced by his parents. He is subjected from his cradle to a multiplicity of regulations, and even before language he becomes conscious of certain obligations.

The great thing about doing a play is you get this rehearsal period, which you don't get with most film and television roles.

You never learn to act in front of a camera. You never learn anything in front of a camera. But you learn to act in a rehearsal room with a good play and a good cast and a good director.

A pilot is like the most extensive dress rehearsal you can ever imagine, because the writers are learning about the actors, the actors are learning about the characters.

The excitement of being in a rehearsal room is good for me.

For me, rehearsal is very important, and I spend a lot of time doing it. Also, I work with my acting teacher for hours and hours before walking onto any set.

For someone who works in theatre, the rehearsal is where you discover everything. It is where magic happens, where the script enters you and becomes part of you.

There's pre-production, and the second part is when you start rehearsal. Pre-production was a very large learning curve for me.

I learned more in the rehearsals for 'The Letter' than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.

My dad worked for a theatre company that was two minutes away from my primary school, so I'd just walk there after school and watch the rehearsals. I think that's probably when I fell in love with acting and telling stories.

When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing. Now I like to really spend the time and figure it out, and rehearsal is to try something that doesn't work.

Actually, the funny thing is, after all these years, I've got all these new songs to learn for the show we're doing at Joe's Pub, so it's kind of fun to get down and rehearse new things, and also rethink some of the older songs, how we're going to do them.

You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.