Quotes About Process

To be clear, impeachment is above all else a political act.

Impeachment is allowed under Brazil's Constitution.

The moment-of-conception fallacy implies that fertilization is a simple process with never a doubt as to whether it has or has not happened.

Collaboration is an important part of the process, and ego is never a part of it.

Because the speech is an argument, and a great speech makes an argument well, the act of making that argument is a really important part of how the policy process coalesces and solidifies both for the candidate and also the people serving that candidate.

Actually the writer is the most important part of the filmmaking process. That's why I never hesitate in giving credit to a writer which I don't think even Hollywood does.

It took me a good two-and-a-half to three years to write 'Dhobi Ghat' and more importantly be satisfied with it.

It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works as well. It takes a director who is open to that because you have a script, but then something funny could happen on set.

As a writer, I use improv to write. Exploring characters and stories through improv and sitting at the computer and thinking about what this character would say or do helps me creatively.

I don't know how much I have improved as an actor. I think that is a constant process that should happen subconsciously.

I've always said for me, I've always focused more on winning major championships than chasing No1. I think that's just a really nice byproduct of your process and improving as a golfer.

Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv.

When you make a film, you never know how it will turn out, especially when you improvise it.

I do a lot of improvising when I'm writing, and I work very hard on the scripts... they are written very much in an actor-friendly way.

We were so limited on time for 'No Burden' that we didn't get to overthink anything. There was no going for the perfect take, or even going for three takes. It was kind of nice because what you're hearing is our first impulse.

If you're having trouble finishing a book, it might be that you're trying to fix it as you go. Just finish the story, no matter how terrible you think that first draft is. Then let it cool off. In other words, don't look at it for a while. Then you can rewrite it.

I don't know what really makes a great musical or not. In the end, you write it, and you write it because you want to write it.

In the end, our way of writing music is a long process of experimentation. We enjoy the luxury of taking this very seriously and giving it the time that it needs.

In the past, my process would start with a sample of another song, and I'd chop it up and use that as the basis of the song that I was making.

My only incentive is to write music that changes me, where the process of making it is a discovery and is true in some way, at that moment.

I want to try it to see what it's like and see what my stuff looks like when I take it from inception to completion.

Writing is an incessant process of discovery.

If the system is broken, my inclination is to fix it rather than to fight it. I have faith in the process of the law, and if it is carried out fairly, I can live with the results, whatever they may be.

That was always my inclination, to start on a new play before the other one gets done, because at least you'll have something to go back to if that play gets trashed.