Quotes About Process

I have definitely been curious and involved in the process; even as a young actor. I was always looking at where the camera was, what story it was telling. And as my experience grew, I wanted to know even more.

The rehearsal process is the most important thing to me, so working with colleagues who are effusive, thoughtful, young and vivacious is really inspiring as a musician.

I have always been a design student and my mind focused on design from a very young age. So, for me, creativity is a very satisfying and motivating process.

I think that I came of age in the 1970s with my own work, and it was a time of conceptual and process art, and it was very important not to tell a story. If you told a story, when I was a young artist and first came to N.Y., it was, like, an embarrassing way to make art.

My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.

Experimenting is part of the process. I remember when I was younger, I spent a whole year just writing on straight trap beats because I just wanted to be able to do that at a high level. So it's about perfecting your craft in every way.

Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.

Many people are allergic to process and structure because it causes traumatic flashbacks of working at BigCo and suffering through bureaucracy for bureaucracy's sake.

From any traumatic injury, you're going to experience a lack of confidence. There's a whole process you have to go through to break free of that.

'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly intense writing and rewriting. Most of my time writing is really re-writing.

As an author, I had spent years writing my stories on my own in a quiet room. My ideas traveled from my brain to my fingers, executed exactly as I saw fit, never veering from my own intent. TV simply doesn't work that way.

I love the process - collaborating with the photographers, traveling, and seeing different cultures. My mother always said I would regret it if I didn't do it. And I think she was right.

I hated school. I travelled so much in my early years that I didn't understand the process. I felt suffocated - not like I was some grandiose artist; I just felt like an alien.

I didn't have any expectations with 'Traveller' - I don't think anybody did. That's how I prefer the process to be.

The business of writing a novel is a long, meandering road into the self, into the imagination. And it's a road the writer travels alone.

Perhaps grief is not about empty, but full. The full breath of life that includes death. The completeness, the cycles, the depth, the richness, the process, the continuity and the treasure of the moment that is gone the second you are aware of it.

I do enjoy the dressing up. I like to have fun with fashion, and while the cameras can be a bit intense, I love the final result... I tend to treat the whole process with a pinch of salt!

But because our organization has grown so much and in so many different ways, the delegation process places responsibility and authority on the shoulders of people you can watch grow and watch the way they treat others.

I treated the first few books as a very long journalistic exercise. I thought of every chapter as an article that needed to be finished.

At Lackland Air Force Base, they make an effort to retrain military dogs that suffer from PTSD. It's a lengthy, long process. The treatment is much the same as it would be for people, but it's a difficult road back.

Treatment is the way to go. It can work if you have the right model.

It's fun finding your way to the performance instead of coming in and hoping to God you're impressing the director - and hoping you're delivering the lines right with no treatment beforehand.

Kyoto was a flawed process. There isn't one industrialized country around the world that has ratified that treaty, and so that is a non-starter.

In the next couple of years, part of every film's process is going to be to adjust the images. And it'll be to change the color of an actor's tie or change the little smirky thing he's doing with his mouth. Or you can put in more clouds or move the tree a little bit.