Quotes About Ambiance

The personality of a restaurant is very important.

I like working in those dark, smoke-filled rooms in the back. That's what I'm good at.

When I started working on ambient music, my idea was to make music that was more like painting.

I made it a morning show. We have the coffee cup, we have the morning papers. It's got that feel to it, that's what I wanted.

I always loved bulbs, and I use light a lot in my shows. In my office in Paris, I have 300 bulbs.

The aura given out by a person or object is as much a part of them as their flesh.

She was attractive, but so was everyone in this kind of light; the longer the wavelength, the softer the focus. There's a reason fuckcubbies don't come with fluorescent lights.

It would be best to stride in with a cheer "hello!", but she wasn't the cheery sort; she was the "lurking in dark corners" sort. She found a dark corner, behind the Stalker-cases, and lurked.

Lovely high ceilings,' I said. 'If you were very tall, you'd feel quite comfortable in here.

In the restaurant it's much more serious.

Music has become so ever-present in our lives. You can't walk through a shopping mall or go into a restaurant without what we used to call Muzak.

You can tell within a second of entering a bar if it's a place you should spend your time.

The apartment had never been darker. I turned on the lamp. It became bright around us. The apartment became darker.

En la honda noche universal que apenas contradicen los faroles

The light in that room was a kind of malpractice.

Light is something that can really change your perception of space.

We've always had a dark atmosphere to our performances, so it sort of developed along those ways.

I have a candle permanently on my Jacuzzi because I love me some candles.

With all the negativity going on in the world right now, people need an escape. When you give them a hit record or a great record, it allows them to escape for at least three to four minutes. They're not thinking bills or economy or immigration or war when you create that kind of ambiance.

The chi of a room is important to me. If I walk into a hotel room and it doesn't feel right, I ask to change.

I think the audience doesn't know a movie's lit, but they feel it. Because you've walked in a forest many times, or in a park, so you know how it looks. When you start lighting, subconsciously you know there is something that is absolutely wrong.

I have a group of cafes and coffee shops that I go to regularly. They usually have an area where I can plug in my computer and have a corner seat where I can do a couple hours of writing or whatever, even the noise of the surrounding people walking by. Those things are the things that stimulate me into writing.

No, I'm a quite big believer in not being in the studio if I don't feel like being in there.

Even great actors shine brighter in the right atmosphere.