Quotes About Professionalism

I got my hand slapped for talking about fighter pay. That was a big one. I had Dana White yell at me in front of, like, 20 other fighters.

First of all, I yell very little, just so you know. Maybe years ago I did more, but I yell very little.

I wanna work with good people. I don't want to work with screaming, yelling directors who've got daddy issues. I just don't want to deal with those guys.

When I was 26, 27 years old I was running a kitchen in New York, and I was a raving lunatic. The older you get, you figure out you don't need to do that. You realize at a certain point, there's a certain gravity to what you say and what you do. If that's not enough, all the yelling in the world is not going to matter.

Whenever I hear people crying about Kobe yelling at people in practice or wondering whether or not LeBron is best friends with his teammates, I just roll my eyes. You know how many off-court conversations I had with the Zen-Master Phil Jackson in my entire time with the Lakers? One.

If it takes someone yelling and screaming in your face to get you ready to play, then you're in the wrong business.

I hated the Naked Chef. Fine, yes, he did good things for school food or whatever, but, you know, I don't want my chefs to be cute and adorable.

I want to do everything right now! This very minute. I am impatient, but yes I have goals. To be a real well-respected actress whom people know they can rely on to do a good job... whether they like me as a person or not!

If I'm only defined by my sport, I really have failed. Yes, I've opened myself up for more criticism, but I'm a professional athlete. I get criticised every week. I'm used to it. It doesn't mean it doesn't hurt, but you get used to it.

My women students openly admit that they dress for interviews like dates, hoping to look their best: makeup, high heels, a well-fitting suit that shows off their figure. And I always tell them to make sure to wear a shirt under the suit jacket. Form fitting, yes. Cleavage, no.

An announcer is only as good as yesterday's performance.

So many people are stealing Bikram Yoga. It's like you're practicing medicine, but you're not a doctor.

My personality has gotten me some really good job interviews in New York.

New York cops are very specific in terms of the way they talk and the way they handle themselves. All these cliches that, as an Englishman, I thought were from a bygone era or were a bit of poetic license with cop shows - the more you hang out with them, the more you realize how real that jargon is.

I'm not a reporter but the 'New Yorker' treats everyone like a reporter.

Seven years ago, when I started free soloing long, hard routes in Yosemite - climbing without a rope, gear or a partner - I did it because it seemed like the purest, most elegant way to scale big walls. Climbing, especially soloing, felt like a grand adventure, but I never dreamed it could be a profession.

When you play a doctor, you have to look like you can do it but you don't actually go and do it. It's not like you learn how to cut open somebody and go do surgery. You have to think of a human being and not play the idea of what that would look like.

I myself started out quite young; when you're working, professionally, even if you are in your teens, you just want to be treated the same as everybody else. You just want people to see you as an actor and not as a kid.

I've never really felt like I was a child actor. Just an actor who happened to be quite young.

I feel like there's a dangerous culture among young actors of going to posey joints and socialising - not doing hard work. I don't want to go and hang out in Soho House L.A. That's literally my worst nightmare. I'd rather be at home reading scripts.

Unlike other young actors I've worked with who will remain nameless, Zoey Deutch and Lucy Fry would never go out partying after work, but would immediately hunker down to start working on the reams of labyrinthine dialogue they had to navigate for the next day's work.

I feel like I grew up differently, when you're a child actor you grow up differently, but it's not that different than growing up as, like, a child basketball player who goes to the NBA. There are certain kids who become professionals at a very young age. There's a lot of sacrifice that goes into that.

In order to dance professionally, you have to start at a young age. No matter what, your muscle structure and your bones have to be groomed from a very young age. Nobody wakes up at 17 and decides to become a ballet dancer.

Yeah, I was ready for the NBA. Because I went through a lot of things back overseas. And you know, playing professionally from a young age and then playing against the older guys - guys over 30; older, talented guys - was really tough, but it also helped my game grow and just get me ready for the NBA.