Quotes About Professionalism

There's something really amazing about watching an actor like Michael C. Hall or Jennifer Carpenter, who are completely professional and do everything so brilliantly, but yet can have a really great time on set.

I loved working with Michelle Fairley.

It hurts when you're always doing your best for your club, and then you hear that you might be going to Tottenham.

I can't tell you how many shows I've done with full-blown migraine headaches.

I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.

Mike Goldberg and Mauro Ranallo are two of the best in our business, and I couldn't be happier about them joining the Bellator family.

Since I was 16 years old entering professional league, all the eyes were on me. And in Milan you have to win... every game.

I have to say that clubs like Piacenza, Atalanta, and Parma always call me, they make me feel important. Probably they also appreciated me as a man, not just as a player. But after everything I've experienced with the Rossoneri's shirt, I think it's right that I end my career at Milan.

At Milan, Kaka used to work even when we had two or three days off. And our fitness coach, Daniele Tognaccini, made him run.

For me, it was kind of like going into the military or something. And anybody - any male - who has ever worked in a French kitchen knows what I am talking about when I say that.

I would love to work with Shilpa again. But it would have to be for 'Dill Mill Gayye (DMG)' - that's the only fiction show I'll take up on small screen. I'm extremely faithful to that show. That apart, I'm not likely to do anymore fiction on TV for the time being.

It drives me crazy when guys making $30 million are complaining about playing basketball two days in a row.

I guess when you get paid over 100 million dollars by one team, it's kind of easy to point the finger at other guys and try to hate on them for trying to get another contract.

Bobby Roode looks like a million dollars, great head on his shoulders for the business.

It's hard work to think away all those 200 people or 40 people, whatever the crew is, that are around behind the camera. To also think about, 'Whatever I'm doing now is going to be seen by a million people,' it doesn't really help my performance.

Wouldn't anyone want to take a job in a professional sport in one of the biggest sports in the world and only give 50, 60 per cent and earn millions of dollars? I think everybody would take that.

I think there are a lot of people who say they want to be professional athletes, say they want to make millions of dollars, but don't necessarily like doing the hard work that goes into it.

In front of millions of people that paid to see you at your best, who expect you to be in action-figure shape and condition on that particular night for that moment, you've got to deliver.

Sarah Paulson is mind-blowing. I mean, she always is. She's always fantastic.

I don't consider any film of mine bad. I give all my films the importance they deserve. I look at all my roles with the same kind of seriousness.

I feel fine, I don't care who the director is. All you have to do is know what your doing - all of us - everybody in the business - that's all you ask anyone - you know your job, I know mine, let's go do it.

The film industry does not interest me greatly. The people, I don't mingle with them much. I meet them when I have to.

The UCI have to make the decision to put in rules into women's cycling that they have in men's cycling: you know, like a minimum budget to run a women's team and that sort of thing so that it becomes more professional.

For me the most important is on the pitch, I don't like too much speaking in the press. I will do the minimum. I will do it because I have to do it.