Quotes About Adaptability

I'm a firm believer that you don't have to pick one career path.

Music was my first love, and at Marlborough we put bands together and sang the pop songs of the day. Although I couldn't read or write music - I still can't - I taught myself to play the guitar and piano by listening to songs and working out the chords.

I never thought anyone would come up to me and say, 'I like 'Better Call Saul' better than 'Breaking Bad.'' If you had asked me before we started, 'Would that bother you if someone said that?' First of all, I would have said, 'That's never gonna happen. And yeah, it probably would bother me.' It doesn't bother me a bit. It tickles me. I love it.

My dad was one who - he was nonpartisan, first of all. He learned to work with whatever administration was in office.

It's not always about 'Can you do the job?' It's about 'Can you fit in with the team?'

I feel like I'm cultured enough to fit into any environment.

The ability to fight isn't a one-size fits all; everybody is different.

You can't manage one size fits all; you've just got to know your group and know what ticks players' boxes.

I used to have a five-year plan when I was younger. But that's changed. Technology is changing every day. So you have to live in the day. You have to see what the opportunities are, and go for them.

I learned to not be afraid to fix things that break.

In a play, you only get one chance, and you have to get it perfect. In a film, you can change and fix it whatever way you want, so really, there's a pretty big difference.

I think, as a professional, inside the cage you can fix anything.

A lot of white-collar work requires less of the routine, rule-based, what we might call algorithmic set of capabilities, and more of the harder-to-outsource, harder-to-automate, non-routine, creative, juristic - as the scholars call it - abilities.

There are times when I get a role that someone else didn't. And there are instances when someone came from nowhere and is new to the industry, beat me to a role. The director and producer know who they want to work with. Who am I to stop them from doing that?

Whatever happens, who cares.

Whoever sees no other aim in the game than that of giving checkmate to one's opponent will never become a good Chess player.

I've never been the tallest or the strongest or the fastest. But I'd like to think that I can read the game well enough, that I can position myself well enough, that I can level the playing field when it comes to physical differences. When it comes to height, whoever wants the ball more is going to win it.

I train with whoever I can, all different sizes, shapes, and styles.

My job is just to get open and catch the ball so I don't really focus on who the quarterback is. But I try to build a rapport with whoever is calling the plays.

I don't even have a type, I don't think. My type is just whoever can get along with me.

I think Passenger is a bit of an ambiguous thing because in the past, it's been a band, or it's been just me, or a duo or whatever, but I kind of like that as well. I think it's whatever that I'm doing with whoever I'm doing it with!

On the sets, I am just an actress, and I am okay with whoever I am working with.

I can play every position in the secondary. And I can do everything - help run support, traveling, covering whoever is out there, small guy, big guy. I can play any type of coverage - blitz if I need to. There aren't too many people who can do all of that.

When you're working with somebody, you work to their strengths. Do you know what I mean? It doesn't matter who it is, whoever you're in the ring with.