Quotes About Adaptability

I am a big 'try new things' kind of guy.

It's always interesting to try new things as much as you're allowed and see where you end up.

I used to be very rigid because I just wanted to get through it. Now, if I think a scene should go a certain way and it goes another, I'm able to go that new way with ease.

You do what you can for as long as you can, and when you finally can't, you do the next best thing. You back up but you don't give up.

When you're a co-host, you've got to consider what the other person is saying and take the next step and get the laugh or get to the end of the story. You've got to make it happen and then move on to the next story.

If you don't get something, don't spend your time wallowing. Just move on and then speak up for the next thing, and hope that you're involved in that.

I've learned that every game is different. You could play one team and have a terrible game and the next time you play them have the best game of your career.

I often don't know what I'll be working on next year or a year from now. There is often a chance meeting, or something that I worked on 10 years ago suddenly becomes important again.

I've always wanted to learn how to hook rugs. A wonderful artist named Leslie Giuliani taught me how. The nice thing is you can change it as you go along.

I don't believe in the concept of a niche or a space. I'm doing good films and I just want to keep getting better.

I've never been one to try to find a niche for myself. I've always tried to wait and see what comes.

Me being able to move around, nickel, dime, safety, you don't know where I'm coming from or if I'm coming, and that's a positive.

I don't do the same show on any two nights.

Flair and I would work with one another sometimes seven nights a week, and with four weeks in a month, we had to keep changing up the matches with fans following the circuit every night. It would always test me and Ric to do something different.

Some nights, I try to play-make and some nights it's my time to be aggressive.

Being an all-around player, you have to find some kind of balance because there are going to be nights where something isn't on. You've got to make sure the other part is on. That's what I concentrate on.

On 'Mr. Robot,' because I run the writers' room and know every decision behind every line of dialogue, I'm able to be nimble and adapt with the scripts and the moments. I never have to question what I'm doing as I'm directing the actors or going through the scenes.

I had - like a cat with nine lives, I've had so many different careers and tried so many different things.

I have makeup that I can do in 15 minutes, 10 minutes, or five minutes, depending on what I'm doing that day. On a day when I'm shooting, it's 15 minutes. Five minutes is when I'm running around that day, and it's no big deal.

I make music with no boundaries.

Being in TV, we get to do it again and again until it's 'right.' There's a part of me that likes the other way, that aspect of theatre where there's no chance to go back.

I breakfast when I get up, lunch when I get the chance. If I never get it, I forget it. Sometimes I dine at seven, sometimes at midnight, sometimes not at all; and I never get to bed until four or five in the morning. Everything depends on the news; the hours make no difference to me.

There is no doubt that the Mindset failure is a major setback for Axovant, but it is not the end of the road.

The DMK is like a chameleon. There is no doubt about that.