Quotes About Multifaceted

like a ten-speed bike,most of us have gears we don't use.

Humans are beautifully imperfect and complex. We're horny, ass-saving, ego-driven drug fiends, among other, more noble things.

Meow is like aloha — it can mean anything.

Meow is like aloha - it can mean anything.

What is at stake here is a totally new unity of form, meaning and feeling: language-images that cannot simply be thought up or written up … They constitute new, multifaceted objects, resembling polyplanes made of mirrors … As if the illogical was relaxation, as if laughter was permitted while thinking, as if error was a way and chance, a proof of eternity.

Why do you want the world to be black and white? It's not.

I've got more than one string to my bow, and I thought I'd give this one a twang.

There is not just one entry route that purports to explain all types of female criminality.

There's information about everything from poetry to pills, from picture frames to pyramids, and from pudding to psychology--and that's just in the P aisle, which we're walking down right now.

Inside you there are universes. You contain multitudes.

I'm a little unusual in that I've always done a lot of things.

It's very important to not repeat yourself. After 'Delhi Belly,' I was offered 40 'Delhi Belly's and you can't do that! So 'Revolver Rani' is dark and gritty with action, 'Sooper Se Oopar' is a big commercial love story, 'Santa Banta' is a 'theth' Punjabi comedy, 'Golu Aur Pappu' is a kids' film and 'Amit Sahni Ki List' is an urban romcom.

More often than what you're suggesting, I find people are surprised that I have an urban side to me.

I don't put myself in any box or say that I can't work on any kind of music. I'm not just a producer that only makes urban music.

Every good work should have at least ten meanings.

In any work you do, you can be profound one minute, and then you be superficial the next, and you can be smart and insightful and then insipid. There can be room for all that.

I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.

When I started to work on perfume, I could not reduce the idea of a woman to one smell.

Fortunately, human beings are remarkably diverse models to work from

My biggest fear in writing 'Gossip Girl' was that the characters would sound like stereotypical rich, air-headed heiresses. These were my friends. They were smart and multifaceted. They had interests and passions. They wanted to become lawyers and doctors and writers and filmmakers.

The whole point of the game is not to stick with one thing, because when that one thing ends, then what are you going to do? For me, I have movies, '106 & Park,' music, and other things to fall back on.

I'm a plethora of stolen jokes and kitschy references.

Broadchurch' was all about shades of grey, both in characters and storytelling, and I wanted to see that through to the end.

I was a painter, then a novelist, then a journalist, then a screenwriter, and now I'm a director, and it feels all part of the same continuum. One led to the other, and it just feels like the natural confluence of all the ways of storytelling that I've been doing for almost 30 years.