Quotes About Love

I'm glad I'm sitting down, Guido. You make my knees go all wobbly.

He looked at his wedding ring, twirled it around once or twice with his thumb. What pleasure it gave him to touch it, as though it were some sort of cult object, invested with magic powers, always near at hand, like a friendly spirit.

love trumped principle. Paola tossed out these things

A wife is her husband's richest treasure, a helpmeet, a steadying column. A vineyard with no hedge will be overrun; a man with no wife becomes a helpless wanderer,"' he quoted

Because you are not mad, or wild, or grieving! You are not roaring out to choke her with your own bare hands! Which means your soul is not too mixed up with hers. And that is good. Here is my experience. Stay away from the ones you love too much. Those are the ones who will kill you. What you want to live and be happy in the world is a woman who has her own life and lets you have yours.

Love doesn't conquer everything. And whoever thinks it does is a fool.

One likes to think there's something in it, that old platitude amor vincit omnia. But if I've learned one thing in my short sad life, it is that that particular platitude is a lie. Love doesn't conquer everything. And whoever thinks it does is a fool.

as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn't touch.

More than anything I was relieved that in my unfamiliar babbling-and-wanting-to-talk state I'd stopped myself from blurting the thing I'd never said, even though it was something we both knew well enough without me saying out loud to him in the street - which was, of course, I love you.

Who cares? If he is good to you? None of us ever find enough kindness in the world, do we?

How quickly he fell; how soon it was over.

As long as I am acting out of love, I feel I am doing best I know how.

it is a glory and a privilege to love what Death doesn't touch.

If I had grown up in that house I couldn't have loved it more, couldn't have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon . . . . The very colors of the place had seeped into my blood.

The thought of her gave me such a continual anguish that I could no more forget her than an aching tooth. It was involuntary, hopeless, compulsive. For years she had been the first thing I remembered when I woke up, the last thing that drifted through my mind as I went to sleep, and during the day she came to me obtrusively, obsessively, always with a painful shock.

Here is my experience. Stay away from the ones you love too much. Those are the ones who will kill you. What you want to live and be happy in the world is a woman who has her own life and lets you have yours.

I had said goodbye to her once before, but it took everything I had to say goodbye to her then, again, for the last time, like poor Orpheus turning for a last backward glance at the ghost of his only love and in the same heartbeat losing her forever: hinc illae lacrimae, hence those tears.

And I know I said earlier that he was perfect but he wasn't perfect, far from it; he could be silly and vain and remote and often cruel and still we loved him, in spite of, because.

Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet - for me, anyway - all that's worth living for lies in that charm?

And you love her, yes. But not too much." "Why do you say that?" "Because you are not mad, or wild, or grieving! You are not roaring out to choke her with your own bare hands! Which means your soul is not too mixed up with hers. And that is good. Here is my experience. Stay away from the ones you love too much. Those are the ones who will kill you. What you want to live and be happy in the world is a woman who has her own life and lets you have yours.

The center of my earth is you

As I stood with her on the platform - she impatient, tapping her foot, leaning forward to look down the tracks - it seemed more than I could bear to see her go. Francis was around the corner, buying her a book to read on the train. 'I don't want you to leave,' I said. 'I don't want to, either.' 'Then don't.' 'I have to.' We stood looking at each other. It was raining. She looked at me with her rain-colored eyes. Camilla, I love you,' I said. 'Let's get married.

There's no 'rational grounds' for anything I care about.

They were playing old Bob Dylan, more than perfect for narrow Village streets close to Christmas and the snow whirling down in big feathery flakes, the kind of winter where you want to be walking down a city street with your arm around a girl like on the old record cover