Quotes About Producers

Investing in rail is an easy way to reduce congestion, cost, and energy consumption and make our producers more competitive.

I'm interested in bridging and filling in space that hasn't already been filled, so when it comes to making music, I've just always wanted to be able to reference things that producers in the big pop major label context do, without compromising the entire sound of the record.

'The Alesha Show' was done with production crew Xenomania, and this time, I've worked with a lot of upcoming new producers.

I'm just saying the producers and people who work on music are getting left out - that's when it starts getting criminal. It's like you're working hard, and you're not receiving. In any other business, people would be standing before Congress. They have antitrust laws against this kind of behavior.

I really like funny women. I'm drawn to women like Tina Fey and Amy Poehler and Kristen Wiig, Amy Schumer. They're writers, they're producers, they're actresses. They're brilliant, funny, excellent women.

So I still seized the power, but I felt that if I officially made myself the boss, in black and white, it would be too intimidating for the other producers and the other men who worked on the show. In other words, I had the power, but I gave them the title.

Producers are the people behind the biggest artists in the game. We definitely deserve that title to be considered as an artist, because producers don't get the recognition and the credit that they really deserve a lot of the time.

I am thankful to my fans and producers that I am on my toes all the time to do better. The day you feel you have achieved it all or you are something, then you are gone, and that thought never came to me.

I spend a lot of time talking to young and emerging producers on Twitter, feeding back thoughts and encouraging them.

There was a time when certain producers could produce just about anything, and the label execs would say, "That's a such-and-such record. Let's put that out as the first single."

I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.

When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out. Eddie laughed. Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You...Eddie, you fill me up.

It's commonplace to describe theater—the activity underpinning the very existence of this book—as a collaborative artform in which the author's words are shaped, embodied and adapted by actors, directors, producers, designers, musicians and above all, audiences.

If my accent betrayed my foreign birth, it also stamped me as an enemy, in the imagination of the producers.

Over the years, quite a few TV producers proposed that I do a program, but I refused. I didn't want to work on a set that looked like a theater; I wanted a kitchen of the sort every chef dreams about.

Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.

Trevisan is one of the few Paso Robles producers to recognize the potential of the region's old-vine Zinfandel, which he blends with Syrah and Mourvedre and labels with fanciful names such as Problem Child, the Outsider and Cherry Red.

When you did impressions on 'MADtv,' the producers gave you a Walkman that played huge sections of whatever movie was being parodied, with your character's catchphrases recorded on a loop. You'd wear this thing around during rehearsals and for a week listen to the voice you had to impersonate over and over again. It drove all of us crazy.

If producers want to lure the few TV holdouts left, all they have to do is give them a good script and a guarantee of enough time to rehearse. They'd be surprised how fast those hard-to-gets would grab at the bait!

My relationships with producers or photographers - these are relationships that took years.

The producers of 'Chernobyl' should tell the truth: the accident demonstrates the relative safety, not danger, of nuclear power.

Actually, after the release of the Bond film, the producers came back to me to offer me another one, but I didn't have any juice left for an immediate encore.

Producers do not seem to understand that they are cutting into each other's business. They complete their films at the same time and do not space their releases.

In the best of all worlds, the producers would take some responsibility for the kinds of things they're putting out. Unfortunately, they don't.