Quotes About Vision

You have to keep in mind that fashion is constantly changing and every runway show, every designer and every photographer - they are going to have a different vision in mind.

I wish I were a really good photographer.

Fashion photographers are the new painters.

The majority of photographers focus on the obvious. They believe and accept what their eyes tell them, and yet eyes know nothing.

I love working with photographers.

There are no rules for good photographs, there are only good photographs.

My inspiration has always been photography's ability to stop time and reveal what the naked eye cannot see.

Photography has always been about capturing light.

Photography is about finding things. And painting is different - it's about making something.

I always saw photography as a way to get to film.

Photography has always been a major part of my vision: my excuse for meddling with what the world looks like.

I find it satisfying that what I've done in photography has had so much influence in how people take photographs and what they look at and how they look at things.

I had no idea how I wanted to get into photography, but I just knew I wanted to do it.

I've always believed that photography is a way to shape human perception.

My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.

The really simple approach to photography is a great balance to making the films.

Light field photography unleashes the power of the light, to forever change how everyone takes and experiences pictures.

There's something really magical about trying to see things in new ways that go beyond, in some sense, the biological human experience. Light-field photography, too, goes beyond the human experience because our eyes work like conventional cameras.

I don't think there is a movie that I've been on that I wasn't sure I could direct it better. But certainly also, as a director of photography, I have to serve the movie in whatever way I can as a filmmaker.

With light field technology, there is a huge opportunity for creativity in photography that hasn't been available in the past.

I hired people who would help me, you know, like a director of photography who wouldn't blind me with jargon about ratios and pull-downs.

I think you should be able to imagine things in a different way. And, you have to dedicate both your physical and mental abilities to that ambition to accomplish it.

Making a film is hard because you're not dealing with the intangible. When you're writing, it's perfect because it's only in your head and then you have to take it into the physical world and that's where things drop off and things fall apart and you have to fix them.

I am interested in the physicality of light itself.