Quotes About Vision

I have the experience we need to make the changes we want and I think that's a winning case.

The central question in this election [2016] is really what kind of country we want to be and what kind of future we'll build together.

We all have different perspectives but we tend not to disagree with each other very often in terms of where we want to get or where we want to be. So it's been amazing working with my brothers.

I'm not trying to be coy or manipulative or Machiavellian, I want to spark people's imaginations.

I look for good directors mainly because if you do enough of movies where there's not a real creative vision behind it, you start to turn into a robot and you want to jump off a bridge.

I'm very interested to see how this new painting will go - I know I want it big and stark, and as I said, I follow the muse, and that's when it always works perfectly for me.

I write down portions, maybe fragments, and perhaps an imperfect view of what Im hoping to write. Out of that, I keep trying to find exactly what I want.

I think I can fix the problems in Washington that people desperately want to see fixed.

I love the creative process, of getting to create your own show or your own movie, whatever it is you want to do, and have the resources to try and make that happen.

I'm a control freak with regards to certain aspects. I think you just have to be when you're making stuff in the world. You have to have a clear idea what you want.

Painting predicates what man wants to see, and what man ought to see, not what he ordinarily sees.

It takes a lot of people to create a success. That's why I say that few leaders are successful unless a lot of people want them to be.

A lot of directors don't know what they want to do. Every director I've seen that was a good director that I've admired knew exactly what he wanted to do. They didn't sit there and think about it.

I both love and am terrified by Greg Van Eekhout's vision of Los Angeles. I already want to go back.

Management that wants to change an institution must first show that it loves that institution.

You have to know that your collaborators want you to make the movie that you want. Don't back down because you think it's nice to them. You need to have the film be the way that you want it.

The bigger question, rather than what's true and what's false, is what do we want?

You know, the thing that I do to waste time is think of things I want to make. That's how my mind is employed.

I guess it's easier to get things made when you know the story you want to tell, you know the characters you want to play, and you know the filmmakers you want to tell them with.

I'm living for myself, everything I do is to achieve my goals, so I'd love to stop caring so much about what I want by then and maybe focus on a bigger picture.

My paintings don't simply represent what I see; they present viewers with what I want them to see.

You create a little world when you are making a film and you have to feel that you would want to be a part of that world. I sometimes look at the scripts I get and think 'what are they thinking?'

When creating an album, one of the first things you have to think about is what you want your production style to be.

Eventually one day I want to direct, but as of right now my next cap that I'm looking for is the producer cap.