Quotes About Vision

Keep on dreaming boy, cause when you stop dreamin' it's time to die.

When you stop having dreams and ideals - well, you might as well stop altogether.

We should be dreaming. We grew up as kids having dreams, but now we're too sophisticated as adults, as a nation. We stopped dreaming. We should always have dreams.

If I'd stopped dreaming, I don't think I'd be here; I'd be somewhere else.

I'm just the opposite of a lot of photographers who want everything to be really, really sharp. And they're always, you know, stopping it down to F64.

When you know your history, you have a better vision of where you're going. And, when you have that, there's no stopping you.

I chose busking because I didn't want to be working for someone else. I wanted to work as I am. I feel like you ultimately do have a choice if you have your vision. So, I had a vision forever that I was going to play music. And there was no stopping that.

But I do love working for Boris because he never stops. He's always fizzing with good ideas, and when you are looking after culture, that is important. He's quite ambitious for London.

I wear decent shades, but if I lose them, I'll go right to the store and get cheap ones because my eyes are that sensitive.

I saw these new kinds of stores: the Body Shop, the Sock Shop, and I thought to myself, 'I can do that.'

In response to the making of DSMNY, a change in the Chelsea store became necessary. My flagship stores always have to lead the way.

The kind of stories I like often comes from debutant directors.

I believe that the best cameraman is one who recognizes the source, the story, as the basis of his work.

I don't storyboard like some. I mean, all directors are different. I plan meticulously - really meticulously.

As a storyteller, when you see somebody who is the character you envisioned, you feel this energy in the room.

Founders are often great storytellers because they're in the business of constantly selling a dream against all odds.

I've read a hundred fantastic scripts that didn't pan out as films, and I completely put that on the directors. I've also read some mediocre scripts that have ended up being amazing, and I credit that to the directors. They're the storytellers. If you don't have a good storyteller, you really have nothing.

My interpretation of a strong director is someone who knows their story. That's what directors are, they're storytellers because they're directing where your focus is going to be as an audience.

It's always an amazing gift to be able to work with storytellers who 'get it' and who can not only draw anything but can draw it better and more dynamically than you'd ever envisioned.

Along the way, I learned the key to launching a company. It's all about storytelling.

A big part of directing animation is deciding what you really want to do and making sure it's about something. My favorite thing about animation is the storytelling. You can really dig into the story and spend time with the writers. The writers don't just write and leave.

I think you always win in storytelling when you let the best creative ideas guide you.

I so wish to work with Sanjay Leela Bhansali because his creativity is of a different level. His vision, his style of storytelling, art and music... Everything mesmerizes me.

If I have the space, I recognise the space, I like to take the ball and go straight to the goal, if there's a chance to create something then I'll do it.