Quotes About Real

Ceaselessly, evil battles with good, right clashes with wrong, darkness comes against the light, and the counterfeit struggles to supplant the real.

The pain and suffering of this world are only the images of gloom, and they are only real in the moment when the spark identifies itself with the shell of darkness. - Book of Consolation, 8.15

I'm explaining something to you. I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.

He was a real mean one … below the belt … you ain't called on to teach folks like that … them ain't Maycomb's ways, Miss Caroline, not really … now don't you fret, ma'am.

So you're thinking you'd rather not hand me a pistol?' 'They're dangerous. And illegal. And Chekov is qa writer you can trust.' 'But this is not a story. We're talking about the real word.' Tamaru narrowed his eyes and looked hard at Aomame. Then, slowly opening his mouth, he said 'Who knows?

I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.

Making a show is such a long process. You go through a TV production house that will commission scripts, and if they like what you've written, they take it to a network and sell it to them. It has always felt very far away from something that's actually real.

So many of my songs are based on things that either happened to me or to someone I know, but there are also ones where I've written a made-up story. All of them are about very real emotions, and I just find different ways to express them.

We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.

I'm not going to complain about playing a cop, there's a cop in every country town in this place. Policing the world and the community is a difficult job, because you get it wrong some times. I couldn't do it for real.

I wrote about real people and real circumstances and real neighborhoods. There was no crypt or castles or H.P. Lovecraft-type environments. They were just about normal people who had something bizarre happening to them in the neighborhood.

I wrote a song on the record called 'Flawed Design' and it's basically looking at that, and it was just exploring how everybody obviously has flaws. I think to embrace those flaws - enjoy them, embrace them - and actually be a real person is something that a lot of people struggle with, myself included.

To have a songwriter that wrote so specifically what I felt to be true... I've never been much of an actor either. If something is real for me, then I can do it.

For anyone to say that WWE is fake or anything like that, no sir! It's very physical, and the injuries are real; the blood is real.

I've seen a lot of real out-of-line attitudes since I have been in the WWF and those people are still there or are getting a second or third chance or something like that.

Yeah, 'Gossip Girl' is a good show. It's a real New York show, like 'Sex and the City.'

Do I think he's got character? Yeah. You don't play defense like that without deeply caring about teammates... John Wall plays real defense. He's got real character.

Yeah I'm telling real stories, but if you pick up a documentary on strippers, you're going to want to see some stripping, so we definitely got that in there.

I think 'Speech & Debate' surprised people because it's a play about teenagers that took the teenagers very seriously. They are very real. People wanted to see if they identified with one of the kids, that loneliness, that yearning for something bigger. That feeling of being stuck, it's very adolescent, but those kinds of feelings linger on.

Shows like 'All in the Family' and now 'Mom' - there's a tradition of tackling real issues.

The challenge in daytime in particular, I think, is to go against all the traditional cliches of daytime and try to make it real.

There's actors and actresses who I call 'Trailer Stars' because their importance is expressed by how big their trailers are. And then there are real actors, who are real good people.

The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.

Let's focus on how we can take someone who is being poorly educated in an American public school and how they are poorly trained for a job, and put in place those opportunities for them to get that education, give their parents choice in education, make it real for them.