Quotes About Real

I know what the streets want to hear, I know what the streets going through, the lingo, the fashion, everything. It ain't nothing; it's my real life.

I'm from the streets of New York. I know what tough talk sounds like.

I don't like to open my mouth a lot because, I'll be honest with you, man, I come from the streets.

The Kitchen's mission is to strengthen communities by bringing local, real food to everyone.

In 'Law and Order,' that wasn't a real stretch; I had to play an athlete and I had like four lines.

Our enemies are real. But so are the moral questions and long-term political implications of drone strikes.

The striking thing about 'New Girl' is that under all the comedy, there's something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways.

I think the music I make is true to my life. A lot of people can relate to it. It is real. I'm just saying it how it is - I don't sugar-coat it. If you are an ambitious person, you want to strive for more. I want to do it all.

A nation's poets are its true owners; and by the stroke of the pen they convey the title-deeds of its real possessions to strangers and aliens.

You see, idealism detached from action is just a dream. But idealism allied with pragmatism, with rolling up your sleeves and making the world bend a bit, is very exciting. It's very real. It's very strong.

A lot of artists think they want anger. But a real, strong, bitter anger occupies the mind, leaving no room for creativity.

Since I have given lots of strong and charismatic performances on the stage, many people think that I probably would be just like that in real life. But many of those who have met me say that I have an aura of genuinely girlish charm.

We want to demystify and present things in real talk. That's why Into the Gloss struck a nerve. Glossier is not much different. We're providing this rich environment around products that help consumers understand their benefit.

Your structure and format may not be perfect, and you may not have picked the perfect franchise, but if I pick up a script, and the characters are real, whole, complicated and come from a place of somebody who really is feeling it, that's what people remember.

I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy', because I think we all have potential to do good things and all have the potential to do bad things.

I wanted to set 'Heading Out' in a real world, a concept I originally struggled with, as I don't have a proper job.

I'm not handled. I'm not crafted by slick, high-priced consultants. I'm a real person, a genuine person, a struggling person in Connecticut.

That's why people read books. You get to have the real conversation, as opposed to the pseudo-conversations we have in everyday life.

If Real want me, they will call me one day, and, if not, no problem. I live my life and am optimistic about the future.

We've had enough of the generals and movie stars. We want to hear about the ordinary people.

I don't want to do something unless it feels organic.

Everything that's happened to me is happening very organically. It's nothing that we paying for, nothing that we asking for.

When you have satire, it has to be real. No matter how outrageous the comedy becomes, you have to believe in the characters.

When you talk to a Republican, many of them just outright say, 'Yeah. Climate change isn't real,' without assessing the facts, and it's a big problem. It's not a red or blue issue, it's a green issue... Not because of facts or science but because of emotion.