Quotes About Real

Sometimes, early in their careers, chefs make the mistake of adding one too many things to a plate to get attention. If a chef is just coming up with wiz-bang gimmicks on their plate, that has nothing to do with bringing real pleasure to people.

I think at Le Cirque I learned how to make real food, which is what people crave, not just gimmicky things on a plate.

I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.

When I read 'Paradise Lost,' or 'Richard III,' it is clear that Milton and Shakespeare took real pleasure and satisfaction from creating these epitomes of evil.

By going to Pluto, we have a chance to anchor, with real data, models of the early evolution of Earth's atmosphere.

Don't call my lyrics poetry. It's an insult to real poets.

I like to just make flex music. So when I do make emotional music, it's hard for me, because I feel like I'm cliche. But I guess cliche is the best thing sometimes, because it's real.

We need every person on Earth to acknowledge that climate change is real and encourage each other and our leaders to address the challenge.

Climate change is very real.

I enjoy being at Real. The club atmosphere is - even if some do not want to believe it - very tight-knit.

I didn't know much about the East End and I didn't go trudging round to research it - couldn't be bothered with all that - but my grandmother was a cockney so I used her voice for Dot. I don't think it sounded very real at the beginning.

College students want good eats. They want it to not be super-expensive, but you've got to be eclectic, you've got to have style, and you've got to make real food.

'Trill' is a combination of 'true' and 'real.' It's my philosophy.

I'm not a comedian.

I am not a comedian.

I approach a comedy the same way I do a drama. I try to make it as real as possible.

I didn't want to be a comedian. I wanted to be an actor - maybe a comic actor, but a real actor - by real, I mean not a comedian. I wanted to be an actor.

I like the common man character.

I love playing the common man.

We write stories about common people and common things. That's what Skynyrd always is about - the real working class of America.

We want our communities to know what real food is.

I guess my view of America is of a real bighearted country, real compassionate.

I'm interested in characters that are complex people.

For me, the most absorbing films are those that address big questions and real ideas but embody them in small examples that we can appreciate and comprehend.