Quotes About Real

I've been a huge fan of Hal Ashby forever. And I think that the distinctive thing about 'Coming Home' is the love story, and how - kind of emotionally real it is, and how these two characters allow each other to see their - kind of vulnerabilities. And it's great because it's a love story that's not really that cheesy, either.

If there is any sense of order to the universe, acting is what I am meant to do. I'm not manufactured. I know acting isn't real, that it's temporary. If there is any theme to the roles I play, it is emotional vulnerability and availability.

It's interesting when people access their inner little girl or little boy. I remember doing tons of those exercises when I was in school, where you're trying to dig into your vulnerability. There's no mask for a child, so all those feelings are real.

While we should not hesitate to deploy encryption to protect ourselves from cybercriminals, this should not be done in a way that eviscerates society's ability to defend itself against other types of criminal threats. In other words, making our virtual world more secure should not come at the expense of making us more vulnerable in the real world.

I really respond to human scripts, scripts that are raw and real and risky. I love playing scary characters - not horror film scary, but vulnerable scary.

I think for me, the best comedy comes from when something feels real and genuine, so even though Miranda is this wacky character, there is a real vulnerability to her that we finally get to show in 'Haters Back Off,' and I think that's what makes this comedy rich and more fulfilling, at least for me.

Globalisation began what should be called the Great Convergence, creating a globalising labour market in which wages in emerging market economies slowly converge with wages in rich economies, generating a steady drop in real wages across Europe.

If workmen are denied any increase in real wages and they can look forward only to a better standard of living through reduction of prices, progress for them is terribly slow, and they become impatient and dissatisfied.

What does it say about a president's policies when he has to use a cartoon character rather than real people to justify his record? What does it say about the fiction of old liberalism to insist that good jobs and good schools and good wages will result from policies that have failed us, time and again?

There's a lot of journalism about poverty, but sometimes it just helps to see that there's a real person who becomes a real mom, who is working with unsustainable wages that could eventually destroy her.

I enjoyed doing Lipstick, but it scared me. I was very nervous. I couldn't wait for it to be over. It was very real, and I was just a kid.

When I wake up on a Sunday morning with a slight hangover, in the gym with no makeup on, that's who Natalie Dormer really is. The girl next door who gets a spot on her forehead occasionally.

It's always the case, whenever you're doing someone real, how much you want to do an impression or a characterisation. If I was doing Churchill, or Gandhi - people know exactly how they talked, walked.

I will say, as southern women, there is a southern way of life that inspires a lot of music. I can see why that's a common thread through music, but the best part about country is it's about real life. It's not about this glamorous Lamborghini, walking around with gold necklaces, all that stuff.

I'm a big believer in respecting the fans. How do I make a science-fiction or fantasy setting relatable? How do you make the characters real?

My actual real name is Bianca Blair.

Anyone who knows me will say I'm the most normal bloke you'll ever meet.

I've never lived like a bloody rock star or anything.

What I really like about 'Red Band Society' is how real it is, and the experiences that they are going through are experiences that everyone is bound to go through at one point or another in their lives.

Berlin inspired Bowie and stirred him to write about real, important matters.

Brands are only powerful if they're real and authentic.

What was important for 'Broken Bread' to do was show real life.

In a way, metafiction breaks down the story and makes it less real. But in another respect, by that very breaking down, it actually makes things feel more real than they would to begin with.

If you're not bruised up, then you're not doing an action film in a real way.