Quotes About Real

Rarest of the real poets are born poets. They are the oddballs, not the professors.

I have a psychology degree, but I was a real theater rat.

Low interest rates are a big opportunity for investment. But the issue is that this money should go to the real economy, not the financial economy.

What is important is that in a capital-scarce country like India, the real interest rate needs to be positive enough to encourage healthy growth of financial savings; we get into macro difficulties when real rates on financial savings become negative for a length of time.

The degree of monetary policy ease should be associated with the level of real interest rates, not nominal interest rates.

If you really look hard at the evidence, the most rational conclusion is to believe that the demonic is real.

In the 1940s, economics started getting highly mathematical. It was basically because economists weren't smart enough to write down models of real behavior that they started writing down models of highly rational behavior - and they kind of forgot about humans.

I'm going for something very raw and organic.

All of my stuff is raw, it's emotive, it's real.

We're just a real dirty band. We're raw, and we're rough. None of us are top-scale, top-line musicians. But I tell you what, you get your top-line musicians and see if they can entertain like us.

There really is something raw about sexuality that's real and good and we must continue to learn to not be ashamed of it. But - we have to honor the reality of practicing safer sex.

I think I've been inspired by Chris and his ability to be raw and genuine and admit flaws and let it be whatever it is. That's something I'm trying to do, too, is just be real... That way ends up being very healing with people.

Eric Carter is a more raw, more emotional protagonist. He's a bit of an Everyman.

I think what I love most about the raw food thing is it's real alchemy. It's a really interesting science, and I think for a creative person, it's a great way to eat.

I just like stuff that's raw, itself, real and genuine. I think that's the way art should be. That's the kind of stuff that people can connect to more.

New York is responsible for bringing that raw, that real gritty hip-hop, because we... originated it.

When people question me about whether something is hip-hop, I ask them, 'Does it sound hard? Does it hit home? Is it raw and real?' If it is, I did my job. And you can call it whatever you want.

It's not about making it perfect, it's about letting it be real, sometimes raw and flawed, as long as it's true.

I'm drawn to raw material and raw emotions.

My idea of a good fantasy is something that's absolutely grounded in reality. And there's a little element that doesn't belong there - and that's the fantasy element - that you have to react to and deal with in a completely real way.

Such is the endless dilemma of dialect. Not every reader will ever agree with the way that I handle it, no matter how hard I work to keep everything readable. But again it's that balance I have to maintain between keeping it easy and keeping it real, and I know that I'll never please everyone.

Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.

America is not just a country, it's an idea, and real Americans are getting busy.

The effects of climate change are real and must be acted on.