Quotes About Angles

I couldn't imagine what it would mean for an angle to be impossible to trisect. If a thing existed, couldn't you cut it in three? The professor started sketching diagrams and equations on the board. I copied everything in my notebook. Ivan was sitting on the floor, leaning against the wall. There was a ragged spot in his jeans just below the knee. It made a much stronger impression on me than the proof about angles.

I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.

Doing makeup, especially for drag, is all about being aware of the geography and angles of your face.

I do seem to have a lot of family secrets in my novels. I guess I'm one of those writers who is often writing about the same sort of themes, but taking different angles on them.

Music is very therapeutic and healing, and I hit it from all angles.

When in doubt, go for a three-quarter pose at the camera. It's an angle that captures the best of the cheekbones, the chin line, and a long neck.

The imprint left on her mind by the long famished body that had seemed in the darkness to consist of nothing by sharp crags and angles, the memory of its painfully-defined almost skeletal ribcage, a pattern of ridges like a washboard, was fading as rapidly as any other transient impression on a soft surface.

The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.

Poetry, especially traditional Iranian poetry, is very good at looking at things from a number of different angles simultaneously.

Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have.

Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.

With 'Captain America,' you might have three lines of dialogue the whole day. And there are just a million angles and a million set-ups, and it's tedious.

Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles.

I've been that celebrity on the red carpet, and I appreciate that something hasn't got to just look good from the front, from the back, it's got to look good at all angles.

I stick to bread-and-butter bodybuilding. I hit my muscles from various angles, work on bringing up any weaknesses, and design workouts that are always challenging and helping me progress.

The thing with TV and filming is the timing is all faked anyway. You do it so many times, from so many different angles. You never really do it all in one go anyway, so they just fix it all in the edit.

Making a documentary, there are thousands of choices, all the time: the angles and the pace and the choice of characters, the choice of music.

I've come to believe errors, especially written errors, are often the only markers left by a solitary life: to sacrifice them is to lose the angles of personality, the riddle of a soul. In this case a very old soul. A very old riddle.

His church is the old one at the edge of town, and I now realize why he's chosen to live here. The church is too far away for him to really help anyone, so this is the best place for him. It's everywhere, on all sides and angles. This is where the father needs to be. Not in some church, gathering dust.

This reductionist vision is reflected in the evolution of his work. Perhaps Mondrian also implicitly realized that by excluding certain angles and focusing only on others he might pique the beholder's curiosity and imagination about the omissions.

I can box. I can hit hard. I've got different angles.

There are different angles you have to work with as a hitter. Figuring out with my body what helps me get into those angles... is a constant discovery.

I'm fast and I move well so I know how to come in at weird angles and keep my feet under me. I'm looking for that power shot and I might not be able to fire off anything after it if my feet aren't under me. Footwork is a huge part of my game.

When I think of my wife, I always think of her head. The shape of it, to begin with. The very first time I saw her, it was the back of the head I saw, and there was something lovely about it, the angles of it. Like a shiny, hard corn kernel or a riverbed fossil. She had what the Victorians would call a finely shaped head. You could imagine the skull quite easily. I'd know her head anywhere.