Quotes About Play

I was kind of lucky that I had done so much theater over the years, because basically a sitcom is kind of like a hybrid between a film and a play.

It's exciting to do something like this because usually what happens in theater is that, after the first or second reading of a play, it falls apart completely and the rehearsal process is such that you begin to pick up the pieces and put it back together again.

Characters are an extreme form in Shakespeare's theater.

I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.

I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.

Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again.

I've done classical theaters. I played Hamlet myself and Romeo.

I'd love to do a play eventually, if theaters ever open again.

I did 'Prodigal Son' at Manhattan Theatre Club.

The only theatre I do is my own. Somehow, my life is the only life that I can play.

I come from a theatre group called Drama Tech in Delhi. When its founder Mr. Chopra called me and appreciated my work, that was also satisfying because he gave me my first play.

Yes, it is a rehearsed show, yes, it was analogy of going to see a play at the theatre, where everything has to be in place and whole things, everything being works, all works together to get the best effect you know it's more like an actor learning a part.

When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.

My only responsibility as a playwright and a storyteller is to give you the time of your life in the theatre. I just happen to think that with Hamilton's story, sticking close to the facts helps me. All the most interesting things in the show happened.

I did a lot of theatre.

I came from the theatre, which had given me opportunities in television as well as a film adaptation of my second play 'Daddy's Dyin'... Who's Got The Will?' for MGM.

There was no real fringe theatre in London until way after the war, so either a play was done secretly with a club licence or it was done openly and had to be assessed along with everything else.

I first decided to become an actor at school. A teacher gave us a play to do and that had a major impact. At first, I wanted to work in the theatre, but there was something about the ambience of film, especially American films, that always attracted me.

Hollywood is a very interesting place to deal with. And having been a theatre person, I was quite surprised by the slipperiness of some people in Holly-weird. There was a part of me that just said, 'If this is the way the game is played, I'm not sure I want to play it.'

Because I like theatre and I love a challenge. With 'ZEBRA!' I've found a new Australian play where I can create a character first - that's what I live to do.

Having done film, TV and theatre, the nicest final bit of the jigsaw is to do live comedy, because you can talk to the audience. It feels really natural to be able to laugh with them, but at the same time still be within the framework of a play.

I was never any good in the school theatrical productions. I always got a role like the March Hare.

If you think about what 'The Killing' is, it is the theatrical production, not the script.

As a child, I always thought about big screen and even played in a amateur theatrical studio.