Quotes About Imagination

Your mind can do wonders, so scary movies are not the healthiest for me because it does freak me out.

I had this story that had been banging around in my head and I thought, 'I'll just see if there's anything there.' So I wrote a few chapters of the book that became 'Year of Wonders,' and lucky for me it found its readers.

There are certainly stories that I used to tell myself as a kid that did influence 'The Cabinet of Wonders.' There's a scene in the novel where there's a flood that bursts through the castle, and one of my favorite things to do when I was a kid at school was imagine what school would be like if there was a sudden flood.

The seed of an idea laying dormant in an old sketchbook is fed the missing ingredient from a new experience. Trying to share some of these experiences, some of the wonders, is one of the reasons why I do books.

Part of me wonders what it would have been like to have had my first experience of India in a normal way, rather than through the eyes of a film.

Nothing much interested me other than playing with language and telling stories and doing something with the wonders of the world around me.

Very early on, I was writing stories, and I was amazed at Spielberg's movies when I was young. Coming from the countryside, I was so impressed with the way he was able to tell stories and the way he was able to deal with le merveilleux - the wonders.

Every place but that in which one is born is equally strange and wondrous. Once beyond the bounds of the city walls, and none knows what may happen. We have stepped forth into the Land of Faerie, but at least we are in the open air.

I don't think that books are wondrous, magical things that come from nowhere. It's important that a book has clues about where and how it was written.

I truly believe that everything Sci-fi taught me as a child about an efficient and wondrous world will be happening in my lifetime.

The unreal is more powerful than the real, because nothing is as perfect as you can imagine it, because it's only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles, wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on.

I've always remembered something Sanford Meisner, my acting teacher, told us. When you create a character, it's like making a chair, except instead of making someting out of wood, you make it out of yourself. That's the actor's craft - using yourself to create a character.

One my favorite things is to go to the provinces of Russia and see the 18th century wood churches with the onion dome architecture. These humble wonders of incredible imagination of architects that were obviously not living in places like Paris or London, but they've created these amazing churches.

'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'

The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.

Me and my two brothers painted a football pitch and used the net from scaffolding for goals with bits of wood, although they were burnt down in the end.

I did not play with dolls. I played with a little hammer, paint and wood.

When I was eight, I bought my first puppet. It was a monkey, and I paid five cents for it. I collected some scrap wood and built myself a puppet theatre. I made 32 cents with my first show, which I thought was pretty good, and that's when I knew I would be a puppeteer when I grew up.

I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.

I used to get on a stove wood pile at 5-6 years old and I would have a piece of stove wood and kindling bark as a pick, and I was a star.

I hate thinking about writer's block! I don't have writer's block much, knock on wood, but if I do, I think it's usually because I haven't done enough research and am therefore unable to create a fully realized world.

As a child, I was always interested in building things. Instead of buying candy, I would purchase nails, which I used to construct things out of scrap wood. My mother always claimed that my spending my money on nails instead of on candy was why I was so skinny as a kid.

One summer, when I was elementary-school age, my neighbors and I built guitars and keyboards out of scrap wood, painted them in bright colors, and formed the cover band Lil' 'D' Duran Duran. We didn't make our own noise or even pretend to play our fake instruments.

Imagining themes that are specific to coating lines, shapes, shades, thoughts, the decoration of our homes and the objects of utility or pure pleasure, adapting its purpose in a material-specific way to metal or wood, marble or fabric - it is, without any doubt, an absorbing occupation.