Quotes About Imagination

My maternal grandmother had what might be described in a school report as a 'lively imagination.' She told us that she was a direct descendant of Sir Christopher Wren.

My first toy was an adjustable wrench I called 'my wrencher.'

The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.

I used to wrestle with my stuffed animals.

Of all the things I've done, the first 'Strongman' story was one of the easiest things to write. It was almost fully formed from the get-go. It's almost a 'Dark Knight Returns' riff, except you have a battle-worn Mexican wrestler instead of Batman.

When I was a kid, I wanted to be a pro wrestler. Other kids wanted to be cops and astronauts, but I wanted to be Hulk Hogan, the Ultimate Warrior, 'Macho Man' Randy Savage, Brutus 'The Barber' Beefcake, and Jake 'The Snake.' I wanted to be those guys! I used to tape matches on my trampoline and body-slam my brother.

Growing up, of course I was the coolest girl in the 3rd grade because I told everyone that my dad was a wrestler, and I would bring in these wrestling magazines of him, and every Saturday morning, he would be body slamming me on my bed.

I remember, as a kid, we would go and watch the Red Arrows, and I thought it was similar to British wrestlers and the acrobatic division.

If it's just brushstrokes wrestling around, it isn't much of a picture book, is it? There still has to be a picture. And maybe it needs to be a picture of a dog named Daisy or a little girl riding a bike. So I have to be careful before I get too carried away in the manner itself.

Since retiring, there's only been one time I actually dreamed about wrestling. In my dream, I was wrestling against Kurt Angle. I had him clamped in a headlock. I was breathing hard, and I remember telling myself, 'This is only a dream. It's not real.' But the longer I held Kurt in a headlock, I started to believe it was real.

It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.

I dream of wrestling all the time.

I believed that I could age people with my mind. If I looked at them, wrinkles would form, and if I looked away, they would suddenly, magically get younger.

Occasionally, chewing over some random letter writer's dilemma, I'll find myself imagining scenarios where the problem could be sidestepped by an innocent fib or series of evasive manoeuvres. Then, I slap myself on the wrist.

Before I found out you couldn't get bitten by a radioactive spider and shoot webs out of your wrist, I wanted to be a superhero when I grew up - until I was, like, 8.

Every story I create, creates me. I write to create myself.

It's not how big your pencil is; it's how you write your name.

To overcome poverty and the flaws of the economic crisis in our society, we need to envision our social life. We have to free our mind, imagine what has never happened before and write social fiction. We need to imagine things to make them happen. If you don't imagine, it will never happen.

I look at you and I write down what I hear.

Write what you like; there is no other rule.

I think if everyone would write down the funny stories from their own childhoods, the world would be a better place.

What can a pencil do for all of us? Amazing things. It can write transcendent poetry, uplifting music, or life-changing equations; it can sketch the future, give life to untold beauty, and communicate the full-force of our love and aspirations.

The more I draw and write, the more I realise that accidents are a necessary part of any creative act, much more so than logic or wisdom. Sometimes a mistake is the only way of arriving at an original concept, and the history of successful inventions is full of mishaps, serendipity and unintended results.

I find that most people know what a story is until they sit down to write one.