Quotes About Imagination

My first favourite book was 'Are You My Mother?' A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably 'Charlie and the Chocolate Factory.' A librarian gave me a first edition of that book, which I treasure.

I think probably the first time I wanted to be an artist was when I was about six or seven years old. I used to get British comics and I clearly remember seeing my first American comic: an issue of 'Action Comics', with Superman on the cover with a treasure horde in a cave, and Lois saying something like 'I don't believe Superman is a miser!'

I am thrilled to write 'The Treasure Chest,' and to bring to life not only the childhoods of famous people from history, but also the characters of Maisie and Felix, who I hope you will fall in love with just as I have!

When my younger son was 13 years old, he asked me to read 'Swallows and Amazons' to him while he made models. He liked it so much that I ended up reading all thirteen of Ransome's books, including the ones that I missed out on. This led my son to 'Treasure Island,' 'Robinson Crusoe' and 'Coral Island.'

When I was 14 or 15, our teacher introduced us to Dickens' 'A Tale of Two Cities.' It was just for entertainment - we read it aloud - and all of a sudden it became a treasure.

When I was a kid, I really wanted a metal detector for Christmas, convinced I was going to find buried treasure and could retire at 12. Santa Claus brought me one, but sadly, that treasure was never realized. It's amazing how many bottle caps you have to dig up. But to be honest, that dream is still alive.

Imagination should always be treasured, even when it's slightly off-key.

Because of things like 'The X Factor' and 'Autotune', the real art of communicating a song is not treasured any more. But singing other people's songs can be an intensely personal experience. I want the songs to be vessels that people fill with their own imagination, the same way that I fill it with my thoughts and feelings.

Treasures are no longer to be got by instrumental art.

Oh, I love to read more than anything. I always love the 'New Stories From the South' anthologies - I think it's the best short fiction collection anywhere, just filled with treasures.

I seriously feel like Bowie was an astronaut who went into space and experienced things and brought back these... treasures.

Reading 'IT' again as an adult, you understand it from a different perspective. It is basically a love letter to childhood and talks about all of the treasures of that time, like imagination and belief, that are inevitably lost in adulthood.

When I was seven or eight, I was bought a fantastic book called 'The Movie Treasury of Horror Movies' by Alan G. Frank; it became my bible. It's packed full of the most amazing photos and is still fantastic to look at.

You should treat a muse like a fairy.

To treat your facts with imagination is one thing, to imagine your facts is another.

I have no favourite genre or style but treat each novel with the same care, imagination and craftsmanship. It's as difficult to write a crime or a children's novel with a touch of style and grace as it is a literary novel.

You treat the air as a canvas and the paint is the chords that come through your fingers, out of the keyboard.

I treat any scene the same - dialogue, action - you're still creating something in character. It's all acting, fighting.

I got into acting for the chance to be many different people and many different characters. I love hiding in a role and doing the research. If there is an opportunity to change my body, I will change my body. I'll slip in and disguise myself in a role. That is a really big treat for me.

Doing 'Prometheus' was what you imagine being an actor is like when you're five. In a spacesuit, on another planet, getting killed by an alien. It was a real treat; it felt like being a part of movie history.

Scientists and philosophers tend to treat knowledge, imagination and love as if they were all very separate parts of human nature. But when it comes to children, all three are deeply entwined. Children learn the truth by imagining all the ways the world could be, and testing those possibilities.

My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space.

I treat all my characters as if they were real, and I am scrupulous about the details of their lives.

'Discworld' is taking something that you know is ridiculous and treating it as if it is serious, to see if something interesting happens when you do so.