Quotes About Imagination

Louise Frogley is a brilliant designer. I always find her wardrobe fittings really informative and creative. Together, you kick images and ideas around.

Fantasy was something I'd read as a child. And, in fact, my teachers despaired a little bit because I refused to give up Enid Blyton. Then I walked through the wardrobe with C. S. Lewis, and I don't think I actually have returned fully from the wardrobe. So, fantasy was something that was in my life from quite young.

I used to like getting cups and putting tiny bits of food and liquids in them. I'd grow mould plumes in the dark wardrobe of my little back bedroom. Not to eat them, mind - just to admire the growing power.

Growing up, my mom made us this amazing thing called The Mack Theatrical Wardrobe. It was a massive trunk filled with everything that you'd want as a kid if you were into imagination and play.

I believe in the ethos of the remix, like Andy Warhol making a painting of a Campbell's soup label.

When I was growing up, all the art that touched me was lens-generated, like Gerhard Richter, or Polke, Rauschenberg, Warhol.

As a composer and as a musician I'm a true believer - and this is not to be overly diplomatic - I'm a believer that there's artistry in everything from a lawn gnome to a desk chair to a symphony to an Andy Warhol painting. There's art in absolutely everything.

I would go to the all-night grocery store and pretend that I was at Studio 54 because it was the only place open all night. Truman Capote in the frozen foods. Andy Warhol over in vegetables.

Most of the creative industries have been deskilled by these really powerful ideologies of punk in music and Warhol in the visual arts. I think it would be great for us collectively to ask whether it's had a negative or positive effect in contributing imaginative stuff to our culture.

I thought: 'It would be great to create a series of clothes that looked like that tree.' Clothes that gave you the green of the leaf and the warm brown of the underside of that leaf and the vanilla colored blossom.

I go down to my little hut, where it's tight and dark and warm, and within minutes I can go back to being six or seven or eight again.

I always see colors when I listen to music. It's difficult to explain, but when I hear the music, I think about gold, blood rushing... I like to keep it really warm and glittery.

As a kid, I dreamed of playing in a warm land with a swimming pool.

I suppose they think me an old man and imagine it is nothing for one like me to resign a life so full of trials. But I am not old - at least in that sense; you know I am not. Oh, no man ever left the world with more inviting prospects, with brighter hopes, or warmer feelings - warmer feelings.

Being outside is a loose theme on 'Paracosm.' Acoustic-sounding instruments have that warmth to them that is really important to communicate. It was really important for me to tell a story - my favorite records have a narrative feel.

I'm a big kid, I'm a kid at heart, so I still love the classic family films, such as the great Warner Bros film 'Willy Wonka and the Chocolate Factory' - not the remake, but the original. It's still one of the best movies, hands down, ever made, and of course that goes back to the ingenuity of the characters and the storyline.

I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies, and Loony Tunes cartoons.

If we can clean up our world, I'll bet you we can achieve warp drive.

Dreams of warp drives and hyperspace are just that - dreams.

I remember being superyoung, like nine or ten years old, and thinking, 'Man, I wonder what famous people eat for breakfast. They must have some special kind of cereal!' My mind was so warped by the idea of fame.

I was warped early by Ray Bradbury and Edgar Allan Poe. I was very fond of Franz Kafka.

The only interaction I had with my brothers is like negative attention where I'd basically egg them on into beating me up - which was delightful! Otherwise, it was me with a video camera jumping on a bed pretending to be the Ultimate Warrior or setting up my robots making a Transformers movie because I was a lonely kid.

I was writing novels at eight. It was a science fiction epic, which went by the unimprovable title of 'Another Kind of Warrior.' I'd write it beginning to end, but when I'd finished it, I was another year older. The quality of writing and thought changed radically, so I'd start it again. I re-wrote that same book until I was 16.

Just about this time, when in imagination I was so great a warrior, I had good use in real life for more strength, as I was no longer taken to school by the nurse, but instead had myself to protect my brother, two years my junior.