Quotes About Imagination

writers instinctively tried to generate plots from events around them as a means of survival, the way a pigeon is always searching for food, pecking at everything in sight. A spy lacked the imagination or the drive for that kind of free-association creativity.

That's how Rihanna started," Ian said. "I have a hard time picturing Rihanna singing 'Hava Nagila.

But McNamara knew more than the actual facts—he also knew the hypothetical ones. When you talked with him, you realized that he had already played out in his head the relevant details for every conceivable option and scenario.

Realism and art cannot live together.

Television is simply automated day-dreaming.

Image streaming has been widely used for personal growth, corporate problem solving, and think tanking. An additional and unexpected benefit is that in at least one study with physics students at Southwest State University in Minnesota, the students experienced an average 20-point increase in their IQs after only 25 hours of practicing image streaming. Your left brains are probably wondering, "Hey, how can that be? How can people increase their IQs when intelligence is considered,

I try not to do anything that's too close to what I've done before. And the nice thing is we have a big universe here. It's filled with new ideas. All you have to do is grab them.

It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.

If Shakespeare and Michelangelo were alive today, and if they decided to collaborate on a comic, Shakespeare would write the script and Michelangelo would draw it. How could anybody say that this wouldn't be as worthwhile an artform as anything on earth?

Some people will say, "Why read a comic book? It stifles the imagination. If you read a novel you imagine what people are like. If you read a comic, it's showing you." The only answer I can give is, "You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?"

We're lucky. Most of our men are good story men. In fact, they have to be. A fellow who's a good artist, but isn't good at telling a story in this form ... in continuity form ... can't really work for us.

When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.

My favorite movie star, far and away, was Errol Flynn. I thought that this guy was the greatest because he always played such heroic roles. He was either the sheriff of Dodge City, or he was Robin Hood, or he was Captain Blood. When I would leave the theater, I'd be about 10 years old I guess ... I would imagine I had a little crooked smile on my face the way Errol Flynn did, and an imaginary sword at my side. I'd be looking around for little girls that might be [attacked] by some bullies.

It's the fact that fans still care. I like all the comics conventions: The smaller ones are easier, the bigger ones are exciting.... Each one I say: Never again. But they're all great.... These things are important because they keep the fans' interest alive in comics. They keep the fans reading and their imaginations stimulated.

How do you bring alive the things you perceive?

Now, writing every day, and being paid for it and encouraged to do it, it was as if, in the midst of the clich?d dark and stormy night, I found the magical inn, its windows golden lit, and Summer was due to start tomorrow. I can only work at one thing well. Deprive me of that, and my "back-up plan," even now, will be the empty, stormy, darkened heath -- where, incidentally, even unpublished, somehow I'll still be writing.

For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

I hardly ever work from a synopsis -- I find they act like chains.

But the boy knew that monsters didn't die as easily as hope.

If Bobby had to guess, he'd say that killing folks was some kind of sickness where imagination and emotion got all mixed up. If

I also readily admit that there are animals, taken in the ordinary sense, that are incomparably larger than those we know of, and I have sometimes said in jest that there might be a system like ours which is the pocketwatch of some enormous giant.

A good story is at its best when the line between truth and fiction remains ambiguous.

They would say anything, because they have dreamed this dream too long to be denied.

There are two worlds: the world we can measure with line and rule, and the world that we feel with our hearts and imagination.