Quotes About Imagination

Similar to the telescope or the telephone, television enables us to see or hear things we never dreamed of. When you look at the details, a concrete scene between people is really something incredibly unlikely, something subtle that requires extended description.

We genuinely believe to this day that it was an honest genuine mistake and we never imagined the punishment would be eight months. The precedent dictated that it was unlikely to be that. We don't regret he played for that period.

I sometimes find reality far more fantastical and unlikely than what I could just make up.

I was 8 when we landed on the moon. I was so into the space program as a kid. Eventually, I realized it was very unlikely that a Mexican kid in the early '70s was going to be an astronaut.

Giving the control over powerful AI to the highest bidder is unlikely to lead to the best world we can imagine.

For me, the ages between 9 and 12 were great because it was before you wore any masks, and you had some autonomy in the world. You had some freedom, and you felt you had unlimited ambition. It's when you thought, 'I'm going to write plays. I'm going to be president. I'm going to do this; I'm going to do that.' And then it all falls apart.

It's easier for me to write certain character types because of my own life experiences, but I find it too artistically limiting to only write about red-headed kids who grew up in small town Montana. That's really part of the fun of fantasy, I think. Our imagination is basically unlimited. Okay, that's a terrifying thing about fantasy, too.

We as a species have unlimited power of our mind. We can make anything happen.

I hope to refine music, study it, try to find some area that I can unlock. I don't quite know how to explain it but it's there. These can't be the only notes in the world, there's got to be other notes some place, in some dimension, between the cracks on the piano keys.

At Brit + Co, our mission is to unlock creativity, so we look for future employees that actively flex their creative muscles. The design of your resume is the first way to let me know more about your aesthetic.

When we imagine a future for both WeWork and WeLive and the other things that we're doing, it really is about unlocking people.

The theater itself is a lie. Its deaths are mere special effects. Its tales never happened. Even the histories are distorted for dramatic effect. The theater is unnatural, a place of imagination. But the theater tells the audience something true: that the world requires judgments.

It's really unnatural to be in a room full of people watching you on screen. It's exposing. Your little imaginary world is up on screen. They can see what I've been thinking about! It's very odd.

The portal structure is simply a technique: it is neither necessary nor unnecessary, except as the writer and the story make it so. In the case of 'The Chronicles of Thomas Covenant,' it was absolutely necessary to my intentions.

If somebody is young and brilliant and imaginative, he will be listened to, even if he is a little unorthodox.

There are so many unpleasant things in the world already that there is no use in imagining any more.

When I'm writing a novel, I'm dealing with a double life. I live in the present at the same time that I live in the past with my characters. It is this that makes a novelist so eccentric and unpleasant.

The ways in which a book, once read, stays (and changes) in the reader's mind are unpredictable.

I let the song come to me. Then that thing comes to you, and you just know what that thing is. Music isn't like a 9-to-5 job. You never know. It's just the most unpredictable thing.

I think when things are unpredictable, they don't turn out how you imagine.

I like to be prepared enough to be completely unprepared. I don't know if I make sense, but I have a fantasy of living someone else's life. And to do that perfectly, I need to prepare myself just as properly.

I must discipline myself. I must be imaginative and create plots, knit motives, probe dialogue - rather than merely trying to record descriptions and sensations. The latter is pointless, without purpose, unless it is later to be synthesized into a story. The latter is also a rather pronounced symptom of an oversensitive and unproductive ego.

I am not by any stretch of the imagination a tidy person, and the piles of unread books on the coffee table and by my bed have a plaintive, pleading quality to me - 'Read me, please!'

Why would one ever be so insane as to ditch a perfectly beautiful metaphor? Cut back, of course, prune if you like, so that the best metaphors are clear and sparkling. But I will throw out unread the book that promises me no metaphors inside.