Quotes About Imagination

A lot of my business is about protecting creativity.

When I was a child, I was very shy and insecure. My mother was very over protective of me. I was a dreamer.

Few cities have been more definitely impressed upon the imagination of the world than San Francisco, this gray-hilled city on the peninsula by the hospitable bay, where Saint Francis protects the ships as he protected the birds of Assisi.

The core of what we're doing is, we're playing with the world. And our curiosity in doing that is what we are most proud of and what we like to put out there.

The point of an experiment is not to arrive at a predetermined end point, to prove or disprove anything, but to deliver a poem that reveals much about the process taken.

From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.

There is nothing real about film. Nothing. Even the light particles that project the film can't be proven to exist. Nothing is there.

I've proven I'm courageous. I'm gutsier than anybody; I've got a better imagination than anybody; I'm essentially more creative than any other actor I know, and I've proven I take risks. I don't think I need to prove anything to myself any more.

It's true that adventures are good for people even when they are very young. Adventures can get in a person's blood even if he doesn't remember having them.

They were steaming out of the station before Maia asked, 'Was it books in the trunk?' 'It was books, admitted Miss Minton. And Maia said, 'Good.

Well, dear, it's true that adventures are good for people even when they are very young. Adventures can get into a person's blood even if he doesn't remember having them.

Just because we've never done it doesn't mean we can't do it.

If I could take people out of their heads for a little while, if I could give them a dose of fantasy, that was all that mattered. You can't put a price on escape.

didn't trust my powers of recollection; in the past, I had known myself to turn perfectly ordinary boys into Howard Keel overnight, only to be bitterly let down when they actually appeared in front of me again.

I believe in the power of imagination. I believe in the unexplained possibilities of the spirit. And I believe that the heart, like any other muscle, grows stiff if it is not exercised regularly. I believe.

Most castles in the air are never built. But Walt Disney's was.

Mickey represented an honest product, a pure spirit and a cheerful heart, a sort of staggeringly simple pleasure in the exercise of the imagination.

Mr. Wodehouse's idyllic world can never stale. He will continue to release future generations from captivity that may be more irksome than our own. He has made a world for us to live in and delight in.

You could appreciate the beauty of the world by trying to paint it.

When the waterholes were dry, people sought to drink at the mirage.

Presently [Bridey] said: "If I was Rex"—his mind seemed full of such suppositions: "If I was Archbishop of Westminster," "If I was head of the Great Western Railway," "If I was an actress," as though it were a mere trick of fate that he was none of these things, and he might awake any morning to find the matter adjusted—"if I was Rex I should want to live in my constituency.

Why must you see everything secondhand? Why must this be a play? Why must my conscience be a pre-Raphelite picture?

I had felt the brush take life in my hand that afternoon ; I had had my finger in the great, succulent pie of creation. I was a man of the Renaissance that evening — of Browning's renaissance. I, who had walked the streets of Rome in Genoa velvet and had seen the stars through Galileo's tube, spumed the friars, with their dusty tomes and their sunken, jealous eyes and their crabbed hair-splitting speech.

Edith and Olive and me have talked it over and we want to go and make aeroplanes.