Quotes About Watchmen

Wake, awake, for night is flying:The watchmen on the heights are crying.

I'd be Doctor Manhattan, a character from the Watchman.' He can do everything, he's the best superhero. There's no other superhero that could beat him in a fight.

The first responsibility of watchmen is to keep the serpent out of their God-given gardens.

I think that, for me, Superman just seemed to make a lot of sense to me. After doing 'Watchmen,' it was - you know that thing, you've got to know the rules before you can break them? There was something about that in making 'Watchmen.'

Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.

The problem for me is that 'Watchmen,' one of the great comics of all time, is a look at superheroes that has gone beyond the concept of or necessity for superheroes.

When I read 'Watchmen,' it changed my view of so many things. It was the first time I'd read a graphic novel really like that.

One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.

Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.

'Watchmen' is a cornerstone of both DC Comics' publishing history and its future.

There are so many books I love for different reasons. For superhero stuff, I always go back to Alan Moore's 'Watchmen' or his 'Swamp Thing' run. Those are my two favorites, and there are indie books that I really love, like Eddie Campbell's 'Alec' books and 'From Hell.'

I was into Alan Moore and Frank Miller. I was a teenager when all those books where coming out for the first time - 'Watchmen,' 'V for Vendetta.' It was a great time to get into comics.

Within the macho-melodrama tropes of the superhero genre, it's fair to say 'Watchmen' stands out for its rich entertainment, its darkness, and its lurid pleasures. Its vividly drawn panels, moody colors and lush imagery make its popularity well-deserved, if disproportionate.

People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.

I understand the rules of Superman - not necessarily better than anyone else - but better than a normal filmmaker would. After doing 'Watchmen' and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say 'I get this guy. I know what this is.'

People unacquainted with graphic novels, including journalists, tend to think of 'Watchmen' as a book by Alan Moore that happens to have some illustrations. And that does a disservice to the entire form.

I generally like very visually striking films. I love a lot of Stanley Kubrick's films. I would have to say 'Dr. Strangelove', which of course has got resonance in 'Watchmen'. It's a favorite movie of mine.

It seems like they make every comic book into a film. 'Watchmen' is my favorite of all time.

Indeed, the hype around 'Watchmen' is its curse. If you want to enjoy the comic for what it is, ignore the attributions of literariness and the novelistic pretensions with which some critics have imbued it. This isn't high culture, and it doesn't pretend to be. It's good, juicy pulp fiction with a little nuclear apocalypse thrown in.

I mean, like, I can go in a room and say, look, 'Watchmen' should be at least 15 minutes longer than 'Batman.' I mean, that's, like, any geek will tell you that.

I first became an Alan Moore fan in Covent Garden on a Saturday afternoon in 1987, when I bought a copy of 'Watchmen,' his graphic novel about ageing superheroes and nuclear apocalypse.

It's not easy to convey to someone who doesn't read comics just how Alan Moore has dominated the field since 'Watchmen.'

The '80s convergence of comics' new adult sensibility with the movies' advancing technology was bound to catch the attention of even slow-on-the-uptake Hollywood, and this particularly was true when 'Watchmen' and 'The Dark Knight Returns' became phenomena.

The male domination and chauvinism of the comics form is either being wittily lampooned in 'Watchmen' or handily perpetuated, depending on whom you ask.