Quotes About Identity

We got a gay following around the time we started using camp dancers who were stripped to the waist in cycling shorts and aviators.

And one of the things that I learned was you can't generalise at all about a woman in a veil. You can't think you know her story, because she will confound you over and over again. She may be an engineer or a diplomat or a doctor. Or she may be an unbelievable babe with bleached hair down to her waist.

There were days I could barely struggle into a size 46 or 48, months of larges and XXLs, and endless rounds of leggings with the elastic at the waist stretched to its limit and beyond - topped with the fashion equivalent of a tea cozy. And always black, because I was in mourning for my slimmer self.

My waist used to be tiny. I just saw a picture of Miley Cyrus with a little crop top and low pants, and I'm like, 'That was me growing up in Brazil!' I had the typical model body, but after babies, it changed. I look more like a woman.

I haven't got a waist. I've just got a sort of place, a bit like an unmarked level crossing.

I'm built like a 14-year-old boy. I have no waist, so anything I wear has to have a lot of trickeration going on. I don't fit into girl dresses. I can't just slip it on.

When I started working on 'Battlestar Galactica' in Canada, I was told to get as fit as a marine for my character Lee 'Apollo' Adama. So I did. But now I have a problem with suits, because I'm 5 ft. 9 in. with a 40 inch chest and a 31 inch waist, so I'm rather too big for that very tailored British look, and they always have to be altered.

I don't have a waist: I'm a breadbox on top of legs.

When I first began modeling, I was very conventional looking. I had hair down to my waist in a side parting - almost church-like. But beneath the sheath of hair lay this Amazonian, strong-looking frame.

I'm a girl who's curvy, and I'm Latvian, but I don't have hips, and I have a tiny waist.

The key is that you never check the championship. You always carry it on. So when you're going through TSA, it's always a treat because, for some reason, they always like to pull it out and hold it way above their head and throw it over their shoulder and put it across their waist, see what it looks like on them.

I remember wearing old long johns, my dad's silk paisley dressing gown, chopped off at the waist, and lots of crucifixes - trying to look like Madonna. But I wasn't breaking any moulds, I was just trying to follow somebody else.

We took Big Pun, a 700-lb Spanish guy, one of the greatest rappers ever, and made him a sex symbol. Women would wait on line to kiss him.

I can't wait to be seen as a woman. But I know I probably have to contribute to that with behaviour.

We have defined these characters - people always expect to see me in a pencil skirt. When they see me out of one - much like when they see Jon Hamm's hair when it isn't slick - they say, 'Wait a minute, you're all 2010!'

There was a time when people had the decency to wait until they were approaching 50 to have a mid-life crisis. Now it seems many thirtysomethings find themselves succumbing to existential navel-gazing.

Sometimes I don't feel like an actor. Sometimes I speak about it like it was another job, and then I go, 'Wait a minute - I am one!'

There was a time in my life when people called me 'Denim Dan.' I didn't like it. And fortunately for my self-esteem, it didn't stick for very long. I was 12, and I was given the name by my classmates after I showed up to the first day of school in - wait for it - triple denim.

I want to say that I can be Moroccan and speak about someone without speaking about his nationality. Because, you know, I have the feeling that when you come from Morocco, when you come from Afghanistan, when you come from Africa, Occidental people always wait for you to write a novel about identity.

I mean I always wanted to get tattoos, that's why I got them kind of fast. Because I already knew what I wanted and kind of where I wanted to put everything at, just had to wait for the right time.

And I agreed with that, and I couldn't wait to change my name anyway, because I'm not too fond of the name of Reginald. It's a very kind of '50s English name.

When we have a trans woman playing a trans woman, then you see, 'Oh wait, this is what trans really is. This is what it looks like: a person.' That sends a message to trans kids that they are valid in their identities that they are allowed to exist.

We all wait for a mirror to show us who we are, to validate us. When we hear something about ourselves that we have never heard before, it feels like a blessing, and it gives power.

I do wait in line, and I do take the subway, and I do my own grocery shopping, and I do take the kids to school. But it almost doesn't matter to a certain segment of the populace.