Quotes About Identity

We cry 'cause we slave. In night time we cry, we say we born and raised to be free people and now we slave. We doan know why we be bring 'way from our country to work lak dis. It strange to us. Everybody lookee at us strange. We want to talk wid de udder colored folkses but dey doan know whut we say. Some makee de fun at us.

Anyone who looked more white folkish than herself was better than she was in her criteria, therefore it was right that they should be cruel to her at times, just as she was cruel to those more negroid than herself in direct ratio to their negroness…Like the pecking order in a chicken yard… Once having set up her idols and built altars to them it was inevitable that she would worship there.

Anyone who looked more white folkish than herself was better than she was in her criteria, therefore it was right that they should be cruel to her at times, just as she was cruel to those more negroid than herself in direct ratio to their negroness.

Now they got to look into me loving Tea Cake and see whether it was done right or not! They don't know if life is a mess of corn-meal dumplings, and if love is a bed-quilt!

Sometimes she stuck out into the future, imagining her life different from what it was. But mostly she lived between her hat and her heels, with her emotional disturbances like shade patterns in the woods—come and gone with the sun.

Years ago, she had told her girl self to wait for her in the looking glass. It had been a long time since she had remembered. Perhaps she'd better go look. She went over to the dresser and looked hard at her skin and features. The young girl was gone, but a handsome woman had taken her place. She tore off the kerchief from her head and let down her plentiful hair. The weight, the length, the glory was there.

Hurston writes. "The white people had held my people in slavery in America. They had bought us, it is true and exploited us. But the inescapable fact that stuck in my craw, was: my people had sold me and the white people had bought me. That did away with the folklore I had been brought up on—that the white people had gone to Africa, waved a red handkerchief at the Africans and lured them aboard ship and sailed away."24

Uh woman by herself is uh pitiful thing," she was told over and again.

Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman neither. Ah reckon Ah looks mah age too. But Ah'm uh woman every inch of me, and Ah know it. Dat's uh whole lot more'n you kin say. You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice. Humph! Talkin' 'bout me lookin' old! When you pull down yo' britches, you look lak de change uh life.

Naw! Mah own mind had tuh be squeezed and crowded out tuh make room for yours in me.

Then she starched and ironed her face, forming it into just what people wanted to see

Thankee Jesus! Someone come ast about Cudjo! I want tellee someobody who I is, so maybe dey go in the Afficky soil some day and callee my name and somebody say, 'Yeah, I know Kossula.

Dis ain't no business proposition, and no race after property and titles. Dis is uh love game. Ah done lived Grandma's way, now Ah means tuh live mine.

Ah wanted to preach a great sermon about colored women sittin' on high, but they wasn't no pulpit for me. Freedom found me wid a baby daughter in mah arms, so Ah said Ah'd take a broom and a cook-pot and throw up a highway through de wilderness for her. She would expound what Ah felt. But somehow she got lost offa de highway and next thing Ah knowed here you was in de world.

mostly she lived between her hat and her heels, with her emotional disturbances like shade patterns in the woods—come and gone with the sun.

She didn't read books so she didn't know that she was the world and the heavens boiled down to a drop. Man attempting to climb to painless heights from his dung hill.

Zora and her daughters are a tradition-within-the-tradition, a black woman's voice.

my people had sold me and the white people had bought me.

Hurston did make significant parts of herself up, like a masquerader putting on a disguise for the ball, like a character in her fictions.

Zora Neale Hurston

she constantly shifts back and forth between her "literate" narrator's voice and a highly idiomatic black voice

People can be slave-ships in shoes.

One white reviewer in 1937 [said he] had difficulty believing that such a town as Eatonville, inhabited and governed entirely by negroes, could be real.

Years ago, she had told her girl self to wait for her in the looking glass. It had been a long time since she had remembered. Perhaps she'd better look. She went over to the dresser and looked hard at her skin and features. The young girl was gone, but a handsome woman had taken her place.