Quotes About Identity

Every man has a mob self and an individual self, in varying proportions.

It always seemed to me that men wore their beards, like they wear their neckties, for show.

being the woman that i am will make a way out of no way..[these are the words of all women of color who assert who they are, who create sound out of silence, and who build worlds out of remnants. (282

The precursor of the mirror is the mother's face.

Someday, she was convinced, somebody would find out that she was an imposter in the adult world.

It's double Dutch," declared the man in the check cap. " That's what it is." " Sounds like Danish to me," said the man in evening dress. " He looks like a Dane, too." " He's a Scot," I said, laughing. " So am I. He's offering me a lift home to Scotland, and I'd give my ears to take him at his word.

When Tilly was fifteen she had imagined herself in love with Archie Cobbe, for he was exactly the sort of young man to awaken a romantic attachment. He was so big and so good-looking and people said he was wild. You met him sometimes, riding about Chevis Green on a prancing horse and he always waved his cap and shouted "Hallo!" Then old Lady Chevis had died and left him Chevis Place, and Archie had taken the name of "Chevis" and settled down into a model squire.

Because if you walk in a city you're jostled by hundreds of indifferent people with indifferent eyes that look at you as if you weren't there at all. You begin to feel you must be invisible. Hundreds and thousands of eyes, and not one pair really seeing you or caring who you are. I'd rather walk down Beilford High Street and know that everybody was saying, 'There goes the mad painter!' It's better to be mad than invisible." She

I missed Elsie dreadfully," she said, "I missed her all the more because I lost her completely—more completely than if she had died. We had always written to each other and told each other everything but after she was married and went to Germany her letters were quite different—I felt she wasn't Elsie any more. Otto always called her Elsa—well of course that was a very small thing but I didn't like it.

If strangers see you behaving like lunatics, it doesn't matter, because they don't know who you are. And if your friends see you behaving like lunatics, it doesn't matter, because they know who you are.

She had sunk her whole personality to be Arnold's wife, but even that was not enough, he was still unsatisfied … he took everything and still wanted more. Sometimes Caroline had felt that a woman of stronger, tougher fibre might have made a better wife for Arnold, a woman who could have stood up to him and remained a whole person.

She had sunk her whole personality to be Arnold's wife, but even that was not enough, he was still unsatisfied …

No, she was not like other people. Other people took grown-up things as a matter of course—things like late dinner, and wine, driving cars and going to the theater; things like marriage and housekeeping and ordering commodities from the shops; whereas she was just playing at it all the time, pretending to be grown up, when, really and truly all the time, she was just Barbara—a plain, gawky child. She had the same body

same way with the same background, and in outward appearance they were not unlike, but inwardly there was no resemblance at all:

For, no matter how often or how well a person is described, a verbal description can never convey an accurate picture of the lineaments, and the pigment, and the aura that make up the whole personality of a human being.

Nobody knows you. You don't know yourself. And I, who am half in love with you, What am I in love with? My own imaginings?

Who's Heinz and what's an accordion?" -Spader

Where I live is one of the places where suburban stories were first mass-produced. They were stories then for displaced Okies and Arkies, Jews who knew the pain of exclusion, Catholics who thought they did, and anyone white with a steady job.

I don't believe in trying to be somebody you're not - just be a bigger, better version of yourself.

I do love playing aristocrats, probably because it's so against type. So much more interesting than playing a version of yourself.

I think actors go along a continuum from Simon Callow down to kind of Ross Kemp, and I like to think of myself as the Ross Kemp of comedy. He's very good in 'East Enders' because he plays a version of himself. I think I can play a version of myself - that's about all I can do.

I am my own version of the DREAM Act.

As a black woman who grows up in a predominantly white neighborhood, you learn how to perform a 'good' version of yourself. And then when you're with your home girls, you're saying all kinds of stuff that sounds all kinds of crazy, but you understand each other because you're speaking the way that you're comfortable with.

I watch people, friends of mine, and see how they portray themselves online and I find interesting that it's kind of a hyper-real version of yourself, how you'd like to be seen, in a way.