Quotes About Physical

There's a misconception about wrestling, that it's really fake, but it's real, and you can really get hurt, even though a lot of it is performative.

A person gets pushed down; they think they're being 'body-slammed.' There's really not any certain thing - that came from more fake wrestling - you know, 'the body slam,' being picked up in the air and thrown to the ground. It's all in someone's interpretation of what someone thinks a 'body slam' really is.

One thing you gotta take into consideration is that it's professional wrestling, and you know it going in. There's dangers to every profession, and our particular profession, concussions is one thing.

We have a very physical performance art. A lot of times, when you want to achieve a certain emotion, you have to use professional wrestling ingredients, which are moves or a sequence of moves.

Something happened in 1997 that changed the whole industry, at least for the next five, six, or seven years. It wasn't about the 24-inch arms and the cartoon characters anymore. It was about the wrestling and what we were doing in the ring physically.

Wrestling moves are made for arenas, not the screen.

As the spinal cord increases, it makes you taller. However, after landing on the Earth, you shrink a bit. What was worrisome was that some of the wrinkles, which had disappeared there, came back.

I can bend my wrist down to my forearm. I can wrench my fingers backward until they rest on my hand. A hitchhiker's thumb might arc into a 90-degree angle; mine will go to 135.

There's only so much you can do on a physical level trying to tour or pass out mixtapes. Although that matters, I realized that you can reach more people putting your music on Soundcloud and networking with blogs to write about you. It really comes back to the music and what you release.

Proust writes, he remembers, physically. He depends on his body to give him the information that will bring him to the past. His book is called 'In Search of Lost Time,' and he does it through the senses. He does it through smell. He does it through feeling. He does it through texture. It is all physically driven, that language.

If you keep on writing for three years, every day, you should be strong. Of course, you have to be strong mentally, also. But in the first place, you have to be strong physically. That is a very important thing. Physically and mentally you have to be strong.

I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.

Against the mutability of dream, the natural laws advocated by our bewigged Enlightenment forebears are powerless. Newton, for instance, insists on gravity and other prohibitions of the physical world, from which (while we are awake) we are never free. But we can fly in dreams.

He was a fat little man with short arms, short legs, a short neck, short nose, short everything in fact.

These are not, however, the days of miracles, and I suppose it will be granted that I am not to expect a direct revelation. I must study the plain physical facts of the case, ascertain what is possible and learn what appears to be wise and right.

Psychological recovery is as important as physiological recovery.

Mental illnesses are so strange. A physical problem we can understand. But when the mind works irrationally, well, by its very definition, the rational mind cannot truly relate.

Mental illnesses are so strange. A physical problem we can understand. But when the mind works irrationally, well, by its very definition, the rational mind cannot truly relate. We can pity. But we cannot fully grasp.

A habitual disuse of physical forces totally destroys the moral; and men lose at once the power of protecting themselves, and of discerning the cause of their oppression.

I've never been able to touch my toes. Seriously, never.

If I have the option, I always read the paper or a book or something I can touch and destroy in my own hands.

I like manual things, doing things with my hands, the feeling of touching.

All disgust is originally disgust at touching.

When you're writing, you're only a brain and some fingers, but drumming, you're involving all four limbs, and you're hearing stuff and you're converting your ideas into physical motions, getting physical feedback from things you are touching - it's pretty cool. It's a really a nice contrast to writing.