Quotes About Tolkien

Without Christopher Tolkien, not only would The Hobbit and The Lord of the Rings look very different, but so would the face of Tolkien scholarship.

My emotional range is limited. I can't do grief, but rage is my friend. For instance, I hate death by sickness. It is nothing like Homer, the Old Testament, and Tolkien led me to expect. It is not noble and awe-inspiring. No one delivers a final soliloquy. It is as abrupt and banal as the flicking of a switch.

I'm a really big 'Lord of the Rings' fan. I have all the extended editions.

The man once wrote: Do not meddle in the affairs of wizards, for they are subtle and quick to anger. Tolkien had that one mostly right. I stepped forward, let the door bang closed, and snarled, "Fuck subtle.

And there's no sex, hardly any love stuff at all, in Middle Earth, which always made me think, yes, the world would be better off without it.

Our daughter's name Arwynn comes from Arwen in 'Lord of the Rings' because my wife and I met for the first time in the Eagle and Child pub in Oxford where J. R. R. Tolkien and C. S. Lewis used to go to read out their stories to one another.

It's an interesting but useless bit of information that every single character in 'The Lord of the Rings' and 'The Hobbit' wears a wig, and many of them wears a prosthetic - false ears, feet, hands. In my case, nose.

Like his fellow genius, Tolkien, C.S. Lewis has redefined the nature of fantasy, adding richness beauty, and dimension... In our times, every fantasy realm must be measured in comparison with Narnia.

Referring to an obsession with Tolkien's Middle Earth): I meet a beautiful American heiress, I like her, she likes me . . . and then she turns out to be a fundamentalist with a more literal interpretation of scripture than I feel comfortable with. Only our bible was written by an Oxford don about sixty years ago.

Did you know, ji,' Zulu offered, 'that the map of Tolkien's Middle earth fits quite well over central England and Wales? Maybe all fairylands are right here, in our midst.

In my story I do not deal in Absolute Evil. I do not think there is such a thing, since that is Zero. —The Letters of J. R. R. Tolkien, no. 183

There's no two ways about it, Tolkien fans are a funny bunch. I should know, for I was one of them. Been there, done that, read the book, gone mad. I first took on The Lord of the Rings at the age of eleven or twelve; to be precise, I began it at the age of eleven and finished at the age of twelve. It was, and remains, not a book that you happen to read, like any other, but a book that happens to you: a chunk bitten out of your life.

Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.

You can make the Ring into an allegory of our own time, if you like: and allegory of the inevitable fate that waits for all attempts to defeat evil power by power.

Lord Of The Rings fandom was massive, worldwide, entrenched. Generally it had been part of the fans' life all their life, because they had it read to them as children; they'd become Tolkien students.

Tolkien said that you shouldn't leave a dragon out of your calculations if you live near him.

The Seventies were an interesting time to be a reader or writer of fantasy. Tolkien was the great master. Lin Carter was resurrecting wonders of British and American fantasy from the early twentieth century in his Ballantine Adult Fantasy Series.

I should like to save the Shire, if I could - though there have been times when I thought the inhabitants too stupid and dull for words, and have felt that an earthquake or an invasion of dragons might be good for them.

All fairy tales, Tolkien argued, echo the gospel of Jesus Christ in some way because the gospel is the True Story; it's the real fairy tale that crashed into the time line of history... 'The heart of Christianity is a myth which is also a fact,' Lewis wrote

For some time I lived in fear of receiving a letter signed 'S. Gollum'. That would have been more difficult to deal with.

Well, Io is Mordor: Look up Part Three. There's a passage about 'rivers of molten rock that wound their way… until they cooled and lay like twisted dragon-shapes vomited from the tormented earth.' That's a perfect description: how did Tolkien know, a quarter century before anyone ever saw a picture of Io? Talk about Nature imitating Art.

J.R.R. Tolkien reminds us that to leave fantasy in the nursery, or to believe that there is some particular connection between fairy tales and children, is to forget that children are not a separate race, a separate kind of creature from the human family at large.

Tolkien is eminently filmable, I think. 'The Lord of the Rings' is intensely... landscaped. But 'Discworld' is about dialogue, which is one reason why it might be hard to film.

People sort of accuse Tolkien of not being good with female characters, and I think that Eowyn actually proves that to be wrong to some degree. Eowyn is actually a strong female character, and she's a surprisingly modern character, considering who Tolkien actually was sort of a stuffy English professor in the 1930s and '40s.