Quotes About Plasticity

Human behavior is incredibly pliable, plastic.

Work that endures is always capable of an infinite and plastic ambiguity; it is all things for all men, like the Apostle; it is a mirror that reflects the reader's own features and it is also a map of the world. Moreover, all this must come about in an evanescent and modest way, almost in spite of the author, who must appear to be ignorant of any and all symbolism.

Work that endures is always capable of an infinite and plastic ambiguity; it is all things for all men[...]and it must be ambiguous in an evanescent and modest way, almost in spite of the author; he must appear to be ignorant of all symbolism.

I bend and do not break.

Today every city, town, or village is affected by it. We have entered the Neon Civilization and become a plastic world.. It goes deeper than its visual manifestations, it affects moral matters; we are engaged, as astrophysicists would say, on a decaying orbit.

I'm a chameleon of sorts.

Over a period of 10 to 12 years, beginning around puberty, the plasticity of the adolescent brain allows for rewiring. What the final wiring diagram looks like depends on two factors: what teens bring with them up to puberty and what experiences they have over the next 10 years or so.

Plasticity loves new moulds because it can fill them, but for a man of sluggish mind and bad manners there is decidedly no place like home.

It had been Ari who proposed the term Kimunism for the strange form of xenophobic nationalism practiced under the Kim family dynasty; it was not really socialism, nor was it communism in even the Maoist form, despite the heaviness of its cult of personality. Ari had felt that it was the severity and chimeric plasticity of the system, so provocative, that made it appealing to French intellectuals.

The value of books is proportionate to what may be called their plasticity -- their quality of being all things to all men, of being diversely moulded by the impact of fresh forms of thought.

After a certain high level of technical skill is achieved, science and art tend to coalesce in esthetics, plasticity, and form. The greatest sceintists are always artists as well.

The most direct evidence of the wonderful plasticity and elasticity of red corpuscles is obtained when they are watched in a current, where they can be caught against a projecting edge and bent by the pressure of the current flowing past them.

I believe that an actor should be like water, free-flowing and extremely flexible.

The same plasticity that allows us to form a reading circuit to begin with, and short-circuit the development of deep reading if we allow it, also allows us to learn how to duplicate deep reading in a new environment. We cannot go backwards. As children move more toward an immersion in digital media, we have to figure out ways to read deeply there.

If you go out to Hollywood you'll find a lot of fantastic plastic people there in the business and a lot of people in life generally. They find it so hard to be themselves that they have to be plastic.

Human behavior is incredibly pliable, plastic.

Randomness, openness to accident and serendipity, spontaneity; artistic risk, emotional urgency and intensity, reader/viewer participation; an overly literal tone, as if a reporter were viewing a strange culture; plasticity of form, pointillism; criticism as autobiography; self-reflexivity, self-ethnography, anthropological autobiography; a blurring (to the point of invisibility)

intelligence, the most plastic and at the same time the most durable structural equilibrium of behaviour, is essentially a system of living and acting operations.

It is a false dichotomy to think of Nature and Man. Mankind is a factor in Nature which exhibits in its most intense form the plasticity of Nature.

I think the plasticity of the novel is its greatest challenge. There are no rules; there is no necessary form. You can know what you want it to be, or do, and still not know how to write it. There are endless possibilities, infinite choices. What voice should it be in? What events to start with? What characters will be part of it?

The "soul" or Circuit VII is constant, because it is, as the Chinese say, void or no-form. It plays all the roles you play — oral dependent, emotional tyrant, cool rationalist, romantic seducer, neurosomatic healer, neurogenetic Evolutionary Visionary — but it is none of them. It is plastic. It is no-form, because it is all forms. It is the "creative Void" of the Taoists.

Most mammals emerge from the womb like glazed earthenware emerging from a kiln – any attempt at remoulding will only scratch or break them. Humans emerge from the womb like molten glass from a furnace. They can be spun, stretched and shaped with a surprising degree of freedom.

Neuroplasticity research showed that the brain changes its very structure with each different activity it performs, perfecting its circuits so it is better suited to the task at hand.

Los científicos han demostrado que, por el contrario, es muy plástico: que nuestros pensamientos determinan nuestro paisaje mental.