Quotes About Visualization

Right now is the time for you to visualize and create your future. Make it as healthy and bright and joyful as you can. It's your life, and you're going to live it.

The role of art for me is the visualization of attitude, of the human attitude towards life, towards the world.

To bring anything into your life, imagine that it's already there.

When you write a goal down your subconscious brain begins to more actively think about bringing into your life the people, resources and knowledge you need to achieve your goals.

Imagine your ideal future. Visualize yourself as if your life were perfect in every respect.

Anytime you don't have a picture in your head, you're in trouble or will be soon.

I could picture it. I have a rotten habit of picturing the bedroom scenes of my friends.

WHAT THE MIND OF MAN CAN CONCEIVE AND BELIEVE, IT CAN ACHIEVE. YOU BECOME WHAT YOU THINK ABOUT MOST OF THE TIME.

What I mean is that if I'm making up something in my head using places and situations I already know, then it goes smoothly.

I visualise what I want through meditation. The process of meditating is a great way of making sure I have my priorities sorted. It's not about money - I focus on my career and the kind of film projects I want to do. Film-making is a passion for me, and my mantra is that you should do what you love, and the money will follow.

Just speak yourself into existence. Whatever you want, speak it. You can see it.

Whenever you're sitting across from some important person, always picture him sitting there in a suit of long red underwear. That's the way I always operated in business.

Jerry picked up the technique of visualizing the story as a movie scenario; and whenever he gave me a script, I would see it as a screenplay. That was the technique that Jerry used, and I just picked it up.

For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job.

The body can take you wherever your mind goes. If I can do it in my mind, I think my body will follow.

When I wanted a job at Christian Louboutin, I literally printed the entrance of the store I wanted to work at on my wall and looked at it in the morning before I got up and went to work at Children's Shoes.

Some people say they use images to help them remember intricacies. Others say they just remember. If they are able to form an image of the face, it is because they remember how it was: it is not that an image guides memory, but that memory produces an image, or the sense of imaging. We have no agreed way to talk clearly about such things.

Every time I read a script, I see the movie in my head, and I try to see the best movie in my head because everybody interprets the movie differently.

Some people say the network is the computer. We believe the display is the computer. Anywhere there's a pixel, that's where we want to be.

I roughly draw the scene beforehand to be more confident on the set. Instead of talking and explaining certain things, I try to visually communicate the scene to my team with the story board. This is how I work.

There are some aspects of the diagram that I wish I had expressed a little more clearly.

It's something I've visualized since I was teenager, fighting Cruz, but he's never really faced a sound physical and emotional fighter like myself.

This may sound strange, but although I feel like I know everything about my characters, the brand of shampoo they use, how many cavities they have, their greatest fear, I don't actually see their faces.

When I'm writing stuff, I need to watch the scene in my head, like a little movie, or else it just feels stupid. It just feels very written. There are things that actors do and faces they make and pauses they take and their rhythms. You need that.