Quotes About Change

Definitely, as I get older and my taste buds change, I want to do different things. I'm not ready for directing yet, you know, maybe when I get my big boy voice; I don't have that yet, but right now definitely producing for sure.

Since I've been pregnant, I've lost my taste for fast food. I used to be the biggest McDonald's junkie and now I don't like it anymore. I used to be the biggest fast-food connoisseur, and now I've really lost my taste for it.

I am an American man, and in America, we still think of figure skaters as little girls in pretty, sparkly dresses - I worked very hard to change the perception and image of figure skating, and I think I've done a great job on my end, but in figure skating, taste needs to evolve.

I moved to L.A. after my landlord in Brooklyn tripled my rent. I spent months looking for other places to move to in New York, then one day I was in California eating a grapefruit, and I was like, 'This is what they taste like?' So I decided to move to L.A. and build a studio in my house.

I'll tell you sort of an odd story: My music taste changed on 9/11. And it's very strange. I actually intellectually find this very curious. But on 9/11, I didn't like how rock music responded. And country music collectively, the way they responded, it resonated with me.

I could say diamonds are a girl's best friend, and that never changes. But the taste for art did change.

As you eat more healthily, your palate changes - it's amazing. Your taste buds constantly adapt: from minute to minute, in fact. If you drank orange juice right now, it would taste sweet. But if you first ate some sweets then drank the same juice, it could taste unpleasantly bitter.

The Egyptians have grown in confidence, they've tasted freedom, and there's no way back.

I loved doing 'Bad Moms.' I loved doing 'We're the Millers.' But now that I've tasted complexity, it doesn't matter what the genre is - it would be really hard to go back.

Hillary Clinton and Barack Obama are two peas in the same pod, and the American people have tasted that, and said, 'Look, that's not a good taste.'

People's musical tastes are fickle, and music can be a fashion.

Markets change, tastes change, so the companies and the individuals who choose to compete in those markets must change.

Before children, it's kind of easy to be solipsistic - you and your wife are in this hermetic little thing, and your own desires, wants, needs, tastes dictate your choices. Then, suddenly, all of that's gone.

I don't argue style on the basis of tastes. If you feel like you've reached your personal best, don't change.

Pop music is a fashion, and fashions come and go. The public retires you as their tastes change.

Financial pressures, the demand of ratings, the changing tastes of the American public all led to new decisions in newsrooms about what to cover and how.

Since the dawn of recorded music, every generation has felt shocked by the musical tastes of the next.

If my musical tastes are continuing to grow up, and I am not really too interested in the music that my kids listen to, then I assume that the audience is doing the same.

I used to eat because food tastes so good. I love food, it's one of the best things on this planet. But I changed the way I was thinking. I started asking myself, 'Hey, am I eating because it tastes good? Or because I really need some more? Am I really still hungry?'

To remember my values, I need to lose certain tastes and find other handles for the memories that they once helped me carry.

Since I got my new liver, some of my tastes have changed. There are certain things I don't like anymore. I loved Indian food before but not now.

Changes in our aesthetic tastes have no value or meaning in and of themselves; what has value and meaning is the idea of change itself. Or, better stated: not change in and of itself, but change as an agent or inspiration of modern creations.

Writers begin changing the instant they append 'The End' to a novel. Readers begin changing the moment they encounter that same phrase. And even the novels themselves, through the strange transmutations of time and shifting tastes and mores, exhibit changes as we look backward upon them, acquiring retroactive meanings and tonalities.

Comedians paint ourselves into corners all the time, and tastes in comedy change. The guy in 'The Hangover' was a really fun character to do, and it was easy to do. But you have to find other things because audiences will let you do that for a little bit, and then they're like, 'What else do you have for us, monkey?'