Quotes About Change

So it is written—but so, too, it is crossed out. You can write over it again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten.

Things that begin and end in grief: marriage, harvest, childbirth. Journeys away from home. Journeys toward home. Surgeries. Love. Weeping.

But she never could keep it straight. All the letters, the acronyms, the codes, the colors, changing like musical chairs, every week, every month. Games demons play. It meant nothing to her, except in a charming sort of way, as it had when Naganya wanted to play at interrogation, while the rest of them wanted chess.

Hello old friend," he greeted it, "how strange for us to meet again, like this, with the snow blowing so outside." "You know my...my wrench?" "Of course I know it. It was not a wrench when we were last acquainted, but ones friends may change clothes and still one knows them.

But you are not one of us. For you, this thing is irreversible except by death, and not only the flesh is altered. Only the strongest of you can resist the collapse of the soul into the form; the mind is lazy, it naturally imitates the body. I have known none of you yet who can remain human when they wear another skin. But the thing is yours to do, if you should wish to do it.

All time is mean young man. It takes and does not give, it rushes when you wish it would linger and drags when you wish is would fly. It flows sullenly, only in one direction, when it might take a thousand turns. You cannot get anything back once time has taken it. Time cheats and steals and lies and kills. If anyone could arrest it, they would have time behind bars faster than you can check your watch.

The Sibyl Slant stared out of her slit eyes, the disc of her face showing no feeling at all. "Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they're children, the face they own when they're grown, and the face they've earned when they're old.

We can't go back, not ever, not even for a minute. We are so lucky. Life is so good. We're going on and being alive and being shitty sometimes and lovely sometimes just the same as we always have, and only a Fuckwit couldn't see that.

That is the trouble with standing up to people, of course. Once you start doing it, you can hardly stop.

What happens to the West happens to Snow White, which is to say they both turn into jokes.

Still life is boring. Never stand still! Jumping bean life!

How long was it, between the time when you were happy, and the time when you wanted to kill him?

Everyone Is Looking for a Book Strong Enough to Change Them.

Hats change everything. September knew this with all her being, deep in the place where she knew her own name, that her mother would still love her even though she hadn't waved good-bye. For one day, her father had put on a hat with golden things on it and suddenly he hadn't been her father anymore, he had been a soldier, and he had left. Hats have power. Hats can change you into someone else.

But no one may know the shape of the tale in which they move. And, perhaps, we do not truly know what sort of beast it is, either. Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.

I opened my door and everything they had for me was tainted because the land of Used-to-Be is just full of ghosts starving for your breath.

For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes.

Heroes in motion tend to stay in motion, but villains in motion tend toward mass destruction.

And the answer is: You are wrong. The Faeries are not gone. But they are no longer what they were. I watched it and did not help them, though I could have. I cheered. I cheered and I wept and I was glad. Perhaps I should not have been. Perhaps laughing at agony is a Fairy's game and I should not have moved my pieces on their board.

When you can change something just by saying a word, that is magic.

It is in the nature of winds to Snatch and Grasp at things, and Blow Them Away.

Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to remember to catch the world in its changing and change with it.

Lives have apocalypses, too. You just can't know when you're in it until the water is already closing over your head and all you can hear are volcanoes, one after the other, detonating the possibility of the future you imagined.

But you can't ever imagine what you're going to care about when you turn into the version of you that's waiting on the other side of five years from now. That's a stranger waiting to ambush you, and all you can do is plant your feet and try not to get thrown.