Quotes About Change

You can't keep changing managers. Every time the players have to adapt to a new strategy and the thinking of the new manager, which is really difficult and takes time.

I think my relationship with social media has changed so much that I really resent social media now. And I'm trying to figure out what a successful exit strategy is as someone who has gotten a lot of opportunities because of social media and how it's given me a portfolio.

What will be the final straw that finally forces Congress to at least open up formal debate - let alone introduce a bill, pass it, and have it signed into law - that curbs the scourge of gun deaths across the country?

I think TV, at times, is incredibly regressive, but I guess with the way few people are ready to experiment, the progressive streak has slowly crept in.

I certainly had an arrogant streak. And I certainly was defensive in certain cases. Maybe I'm still arrogant, but I try not to be.

Character develops itself in the stream of life.

The stream of civilisation flows on like a river: it is rapid in mid- current, slow at the sides, and has its backwaters. At best, civilisation advances by spirals.

Most companies that are great at something - like AOL dialup or Borders bookstores - do not become great at new things people want (streaming for us) because they are afraid to hurt their initial business.

I used to watch TV in the days that I was on TV. But in that time, streaming has come along. So I can honestly say, I have no idea what's on real-time TV.

On the Internet you get continuous innovation, so every year the streams are a little better.

I always bring divining rods when I'm on tour because you can change energy streams by moving furniture around your hotel room.

The sea has now changed from it's natural, to river coloured water, the probable consequence of some streams falling into the bay, or into the ocean to the north of it, through the low land.

Technology has changed our industry, and I think that's opened up different revenue streams and ways to make money and distribute television. It's made the global conversation easier, quicker.

You go down some street - no doubt it's there, and we have to do something about it, and our programmes are designed to do that - but if that's a picture of Newcastle, it's not the one I recognise and I bet none in the North East do either.

The reality of life is, if you have a bagel shop and everybody is pouring into the doughnut shop across the street, if you want to stay in business, you start selling doughnuts.

I used to really love Fiend, but he stopped. He just stopped. Every time he had a project, every project - 'There's One In Every Family,' 'Street Life' - I had to have them. And he just stopped. And that was disappointing, 'cause that was my favorite rapper at one time.

I now get recognised in the street, which is strange, but I don't go out as much as I used to. It's not a downside; I just have to be a bit more private.

I think that people who get to a certain position, and then try to ferociously defend it or build on it, it's kind of a dead-end street. You see people becoming miserable that way.

In the beginning Remo is a very New York street cop who changes and is changed as he moves along.

But some things are the same. My mother still owns the house I grew up in, on what would now be called a cul de sac, but which the sign on the corner called a dead end street.

Democracy is like a streetcar. When you come to your stop, you get off.

I remember, when I was growing up in Baltimore, we'd get on a streetcar and go down to see the Orioles, and for a couple of bucks, you could get a pretty good seat. Kids can't do that anymore. So I think that changes the whole nature of sports.

It's hard to say goodbye to the streets. It's all how you do it. You can pass by and say, 'What's happening?' and keep it moving, but it's a certain element that'll never be able to roll with you once you get to this level, because that's the separation of it all.

At the core, one of my original goals is to redefine what the streets expect.