Quotes About Change

That's part of the policy: To keep switching gears.

I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.

We need to keep switching up the language around climate change.

Party switching has all the emotional edges and baggage of divorce.

Switching to the outfield was the best break I ever got.

The best thing about switching from being an actor to being a director is that you don't have to shave or hold your stomach in anymore.

You have to challenge yourself and your muscles. When you are really regimented, it's the same over and over and you start to get comfortable. Switching up the style of training works your muscles differently.

I listen to a lot of stuff. I mean, I'm constantly switching up what I'm listening to.

Kids and just young people in general are usually a lot more, I guess, open-minded to change. Especially when you're really little in elementary school, you don't expect a lot of things from people, so if somebody says, 'I'm switching genders,' you're just sort of like, 'OK, that's new. But cool.'

Switching genres actually motivates me.

Some of the joy in acting is switching it up: being able to do something that's different than what you've been doing.

It's very difficult switching over from one character to another.

Switching languages is a form of conversion. And like all conversions, whether it's judged a failure or a success, it excites the desire to leave, go elsewhere, adopt a new language and start all over again. It also means that a conscious effort is demanded to remain still.

Really, I get inspired by just switching projects and instrumentation and things like that - that creative part of just being different every time is really what inspires me.

I'm not switching from Bollywood to the Malayalam film industry.

Switzerland is a country where very few things begin, but many things end.

The seasons had always been a part of the way I cooked and ate in Switzerland, and they again became what guided me in New York.

Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that.

Would I change anything? I don't know, that's a double edge sword for me.

I was extremely close with my parents. Breaking away from that is a double-edged sword: It's something you need to do, but it's hard to cut the apron strings.

Artists are never wrong when they paint revolution with the beautiful dress and with the sword. On the horse or by foot. Because revolution is a woman.

Kung fu films have to move with the rest of the world. You couldn't keep on doing sword fights in historic films. People wanted superheroes. They wanted something fast and new.

The Swords were still interesting but by then a cast of characters had started to appear and go on from book to book, and other things about the world began to feel constricting. And there were other things I wanted to do, so I closed the series up and stopped it.

My first movie was 'The Mask Of Zorro,' and that was all swords and horses and swashbuckling, and I thought, 'This is what movies are.' Obviously, I never made another one like that again; those are very rare.