Quotes About Hollywood

America has taken small baby steps of progress towards having more inclusion and diversity in Hollywood. It's optimistic.

Honestly, I guess if you looked at my CV, I've been doing independent movies since I started. I think that I kind of took a few steps back from Hollywood as soon as it all started to come my way because I wasn't quite ready for the attention.

There are definitely roles within this industry that are industry-related, but to be a good actor, you really have to want to act first. At the same time, my goal was never to go to Hollywood to make movies. I think if you come here with that attitude, then you've missed a few steps.

When you're a large black man in Hollywood, the obvious stereotype is one of force and menace.

Here's the thing about Jews in Hollywood. Not to stereotype, but the Jews I know here are the funniest, most self-deprecating people I know. And it's rare to find a Jew that is actually offended by comedy about them.

Jason Lee is the most famous actor from Hawaii I can think of.

I wanted to be famous. It's embarrassing to admit, but I came out to L.A. thinking it would happen in no time. I thought, 'Once they see me, they'll be so glad I came.' I always had a ridiculous amount of self-confidence about what was going to happen to me.

'Noah' is an insult to Bible-believing Christians, an insult to the character of Noah and, most of all, an insult to the God of the Bible. As a result, I believe Hollywood will have a much harder time in marketing future biblically-themed movies to Christians.

I know what it means to do a job... I worked in a factory. I respect people in the service industry. What irritates me more is when people aren't respectful. There's a lot of nonsense behavior, especially in a place like Hollywood. The money, the power, they create little monsters.

I realized that nobody paid attention to eyebrows. In Romania, it was the norm. I thought, 'This is Hollywood. We work with the most incredible, beautiful models and actors and this is important.'

I'm probably an overcompensating introvert. I live in Hollywood, but I don't go to parties where I have to work the room. I could do that, but I don't want to... I try and stay the same and live a fairly normal life.

Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.

Fortunately we've been shooting in North Carolina which means we're not in LA where you can hear people talking about you and you know so much about what's going on in the business.

I'm not really a Hollywood person. Not that I don't like L.A., but I'm just a Northern California guy.

Our company, it's, uh, really un-sexy. And I think most people get into Hollywood to be showy. We first of all make horror movies, which people turn their noses up at. Second of all, we make cheap movies, and Hollywood's a lot about ego and money and, 'My movie cost $200m!,' you know?

I have no connection with Hollywood. I'm not interested. I don't care.

Pretty much, the writer's in charge in theater. Of course you're in charge with the director, but no one can change your words. People can give you notes, but you don't have to take them. In Hollywood you take them and you cash your check and that's your job. It's very different.

You never see a teaser for a film on television that doesn't have someone running around a corner with a gun. Have you noticed that?... I think Hollywood has as much responsibility for gun violence as the National Rifle Association.

Everyone goes To L.A. to be noticed. I went there to be completely invisible.

'Luke Cage' came out in 1972 at the height of the blaxploitation era. It was a literary response to this notion of blaxploitation movies. It was the first time in American culture that Hollywood was embracing black movies.

Age is just a number. Unless, that is, you live in Hollywood, where there's this notion that if you haven't hit it big by your 20s, you may as well hit the road.

The contemporary notion that it's somehow inherently bad for a film to be 'talky' has done grave damage to the culture of American movie-making, enough so that a growing number of people, myself among them, have all but given up on Hollywood.

I had a kind of romantic notion about being a Hollywood Errol Flynn type.

All of the cultural nuances and the traumas and the complexities that come with being a third-culture kid, these are all nuances that the quote-unquote system of Hollywood is just starting to become privy to.