Quotes About Hollywood

How do you know Hollywood is getting serious about video games? They want to make one of their own. In 'Defiance,' the remaining humans on Earth, as well as alien species looking for a new home, find themselves settling for peace after a massive war desecrated the world and destroyed most of the alien ships along with it.

I can go to my premiere at the Chinese Theatre, and everyone will know me, and everyone will cater to me. And then I'll go to an audition and get rejected left, right and centre. They don't watch my videos, and they don't really know who I am. It is like starting from scratch when it comes to traditional Hollywood.

Nothing looks as great on videotape as Hollywood after a rain.

Any of these Vietnam vets that have been there and know the deal, they don't feel that any Hollywood endeavor about the Vietnam era has ever gotten it right yet.

The Beatles and the Stones had Elvis and Hollywood, but when it came to my generation America meant Richard Nixon and Vietnam.

Hollywood never knew there was a Vietnam War until they made the movie.

My opposition to the Vietnam War. I was the first Hollywood actor to speak out against it.

Perhaps, despite my objections, the success of films like: 'The Help,' 'Django,' 'The Butler,' or '12 Years a Slave,' will further persuade Hollywood to widen its view and edit its erroneous perception of what a commercial black film can look like.

I think the films we see, the Hollywood films, which are basically entertainment, will still be there, but they'll be in a totally different category. People won't take them seriously. They'll kind of end up the way comic books have. A side view of things.

The job requires a difficult and rare set of skills: a host must entertain both the Hollywood big shots in the auditorium and regular folks at home." He explained, "They can poke fun at the huge egos in the room, but can't deflate them with too much snark, and they can't be too inside baseball. Most of all, they have to think quickly on their feet, since there's no telling what will happen during a live show broadcast to hundreds of millions around the world.

People only use this prophecy to sell books and movies in Hollywood. On the Mayan calendar, this day is the end of an age. In the end of the age, the prophecy says that the people will have ceased to live as human beings, and something big will happen, and the people will see each other again. I

Yeah. A mom, dad, a kid brother. A house you've lived in, like, forever. Good friends all over the neighborhood. Knowing everyone. Going on family vacations around the world. It's, like, a Hollywood movie family.

It is a way of talking that tends to preclude further discussion, which may well be its intention: the public life of liberal Hollywood comprises a kind of dictatorship of good intentions, a social contract in which actual and irreconcilable disagreement is as taboo as failure or bad teeth, a climate devoid of irony.

Out under the pepper trees the boys from the Mexican crew sat around sucking caramels, and down the road some of the technical men sat around a place which served a stuffed lobster and a glass of tequila for one dollar American, but it was inside the cavernous empty commissary where the talent sat around, the reasons for the exercise, all sitting around the big table picking at huevos con queso and Carta Blanca beer.

the public life of liberal Hollywood comprises a kind of dictatorship of good intentions, a social contract in which actual and irreconcilable disagreement is as taboo as failure or bad teeth, a climate devoid of irony.

There is in Hollywood, as in all cultures in which gambling is the central activity, a lowered sexual energy, an inability to devote more than token attention to the preoccupations of the society outside. The action is everything, more consuming than sex, more immediate than politics; more important always than the acquisition of money, which is never, for the gambler, the true point of the exercise.

Quite often I reflect on the big house in Hollywood, on 'Midnight Confessions and on Ramon Novarro and on the fact that Roman Polanski and I are godparents to the same child, but writing has not yet helped me to see what it means.

In the popular imagination, the American motion-picture industry still represents a kind of mechanical monster, programmed to stifle and destroy all that is interesting and worthwhile and "creative" in the human spirit.

In Hollywood today, it's cool for guys to wear nail polish and earrings in their lips and tongues. I don't get it.

I pitied the French for their naïveté in believing they had to visit a country in order to exploit it. Hollywood was much more efficient, imagining the countries it wanted to exploit.

Movies were America's way of softening up the rest of the world, Hollywood relentlessly assaulting the mental defenses of audiences with the hit, the smash, the spectacle, the blockbuster, and, yes, even the box office bomb. It mattered not what story these audiences watched. The point was that it was the American story they watched and loved, up until the day that they themselves might be bombed by the planes they had seen in American movies.

Hollywood did not just make horror movie monsters, it was its own horror movie monster, smashing me under its foot. I had failed and the Auteur would make The Hamlet as he intended, with my countrymen serving merely as raw material for an epic about white men saving good yellow people from bad yellow people. I pitied the French for their naïveté in believing they had to visit a country in order to exploit it. Hollywood was much more efficient, imagining the countries it wanted to exploit.

Hollywood did not just make horror movie monsters, it was its own horror movie monster, smashing me under its foot.

Let's see, he had told me one night at our hotel's bar, I've been beaten to death with brass knuckles by Robert Mitchum, knifed in the back by Ernest Borgnine, shot in the head by Frank Sinatra, strangled by James Coburn,