Quotes About Hollywood

When I was a little girl, I watched old movies maybe shot at Paramount Studios, and the fact that every day I get to drive onto the lot and shoot a show that sometimes takes place in the '40s, it's very interesting.

I've watched the demise of the Hollywood orchestra, the house orchestras of the big studios.

In Los Angeles, I had the good fortune of anchoring the news right before Johnny Carson came on, so to see him, the Hollywood stars watched me first.

River Phoenix and I were friends for nine years, and I watched him grow and mature, and I also saw him struggle. I watched him deal with the whole up and down aspects of Hollywood and saw him bounce back, so when he passed away, it was such an enormous shock.

Comedy Central was a great network, but 'Chappelle's Show' took it to a completely different level. Other shows got bigger because so many viewers were watching the 'Chappelle' reruns. For BET, the 'Real Husbands of Hollywood' has that same potential.

Everyone learns how to assimilate through watching television. Everyone thinks America is going to be like Hollywood, and when they get here they keep watching TV to find out how to be.

Elvis used to have parties at his house - and I've told this story a million times - but they weren't really parties, because there was no chips or dip. Just Elvis and his boys watching TV, and him making funny comments, and everybody laughing at them. Is that a party? Not really. But that's Hollywood.

My upbringing was very un-Hollywood... I was born in New York and grew up on a ranch. I was never really smitten by the business in those days, never a fan type - just a basic kid watching TV.

The '80s convergence of comics' new adult sensibility with the movies' advancing technology was bound to catch the attention of even slow-on-the-uptake Hollywood, and this particularly was true when 'Watchmen' and 'The Dark Knight Returns' became phenomena.

Honestly, I'd love to say I live this amazing Hollywood lifestyle, but actually, I'm at home with my same friends and cooking. I crochet, I do watercolor. I think what surprised me the most is that that isn't the lifestyle everyone necessarily lives.

I feel really lucky to have been able to not only have him as a brother - because I love him and he's such a smart guy and an interesting, fun guy - but also have a friend to go through and chart and navigate the waters of Hollywood, which can be kind of alienating and lonely at times just because everyone is always... you know what it's like.

Hollywood versions of watershed moments in American history are generally high-minded shlock. 'JFK,' 'The People vs. Larry Flynt,' even 'Lincoln': all of these boast excellent performances in scripts that are ultimately very conventional, even conservative.

So I got caught up in the same wave as everybody else and went right out to Hollywood, to make movies.

I was a young film student around the time of the new wave in film in the 1970s; old Hollywood was naff and over. For me, as a film student, I was going to see French and Italian cinema; American cinema was 'Easy Rider' and 'Taxi Driver.' Everything was gritty.

There's a statue of Jimmy Stewart in the Hollywood Wax Museum, and the statue talks better than he does.

In all, I was in 16 movies, including 'The Bishop's Wife' with Cary Grant, Loretta Young and David Niven; I was in 'Rio Grande' with John Wayne, 'Albuquerque' with Randall Scott, 'Blue Skies' with Bing Crosby and 'Hans Christian Anderson' with Danny Kaye.

I guess John Wayne would be one. I just respected the way he acted.

Oh, I loved John Wayne. He was just so charming and easy to work with.

Although it wasn't that easy to do, it was wonderful working with John Wayne.

John Wayne treated me fine, but that macho stuff turns me off. It's not real.

Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.

I've never been typed. John Wayne played 'that guy' all the time - mostly because that's all he could do. Gable played Gable parts, and Bob Taylor played Bob Taylor parts, whether he was in armor or a full-dress suit. I resisted that.

Even in Haiti, I saw John Wayne movies. American cinema has always been the dominant cinema throughout the world, and people tend to forget that. People aren't just seeing these films in California or Florida. They're seeing them in Haiti, in Congo, in France, in Italy and in Asia. That is the power of Hollywood.

Being a motion picture actress is the pitch of ecstasy.