Quotes About Michelangelo

the ignorance of a bigwig who asked if Michelangelo's fresco The Last Judgment was about a trial of Mussolini.

Michelangelo felt ill. He asked himself if what he was feeling was fear. Yet he knew that it was something more, something in his experience akin to the sacking of the Medici palace, the deterioration of Piero, an awareness of the senseless destructiveness that lay inherent in time and space, ready to lash out and destroy.

I was obsessed with the Turtles, the Teenage Mutant Ninja Turtles. There's Leonardo, Donatello, Michelangelo, Raphael and my dad used to call me Callemundo, saying you're the fifth turtle.

Art is always an exchange, like love, whose giving and taking can be a complex and wounding matter, according to Michelangelo. Ali Smith, Artful

Piazza del Campidoglio

In the room the women come and go talking of Michelangelo.

Michelangelo is the gold standard," Winston said with a chuckle, "brilliantly posing David in an effeminate contrapposto, his limp wrist casually holding a flaccid slingshot, conveying a feminine vulnerability. And yet David's eyes radiate a lethal determination, his tendons and veins bulging in anticipation of killing Goliath. The work is simultaneously delicate

brilliantly posing David in an effeminate contrapposto, his limp wrist casually holding a flaccid slingshot, conveying a feminine vulnerability. And yet David's eyes radiate a lethal determination, his tendons and veins bulging in anticipation of killing Goliath. The work is simultaneously delicate and deadly." Langdon was impressed with the description and wished his own students had as clear an understanding of Michelangelo's masterpiece.

Michelangelo is the gold standard," Winston said with a chuckle, "brilliantly posing David in an effeminate contrapposto, his limp wrist casually holding a flaccid slingshot, conveying a feminine vulnerability. And yet David's eyes radiate a lethal determination, his tendons and veins bulging in anticipation of killing Goliath. The work is simultaneously delicate and deadly.

Maybe he was just a crazy guy who liked funerals." Phyllis was applying polish topcoat with all the care of Michelangelo painting the ceiling of the Sistine Chapel. "Nobody goes to funerals for fun," said Lucy,

Florence is perhaps best known for being the seat of Renaissance art, and rightly so: A greatest-hits collection of artists passed through its streets - Michelangelo, Leonardo, Botticelli, and Brunelleschi among them.

With Michelangelo anatomical science is transformed into music. With him the human body is architectonic matter for the construction of dreams.

When I was in architecture school, I became curious about the exact mathematics, physics, and construction of the great structures I had been studying. I wanted to know how these amazing things would work: the Pantheon, the dome of Michelangelo, the dome of Brunelleschi. So I decided to study civil engineering.

It's freezing up here. What did you use to keep warm?" "Indignation," said Michelangelo. "Best fuel I know. Never burns out.

Lots of paintings have hidden messages," said Clara. "Even the Sistine Chapel. Michelangelo painted an angel essentially giving the pope the finger.

But Michelangelo did not want us to know how he learned to sculpt and, whatever the truth of the matter, he succeeded in suppressing it. The impression he wanted to pass down was that he just picked up the art of sculpture through sheer brilliance and inherent understanding of design; conceivably, that might even be correct.

The secret angels of God are only as alive as the marble angels of Michelangelo!

My object in The Prince was to show defeated Italy a model of her savior, a man as perfect in the bold acquisition of power as Michelangelo Buonarroti's great marble David is a perfect illustration of the human form and divine spirit. Just as Michelangelo did not portray David the murderer and adulterer, I did not represent the entirety of the man I took as my model.

Death and love are the two wings that bear the good man to heaven.

You no longer feel the fear of a change of being and desire . . . The course of the hours lays not violent hands upon you ; necessity and chance guide not your steps ... I can hardly write without envy. --Michelangelo on the dead.

If such a gift I truly have been given And yet, divided, torn, still burn and stray He is to blame who fashioned me for fire.

using the same logic it uses to determine racist and other extremist groups: the FRC promotes defamation and promulgates known falsehoods.

Michelangelo's cook was illiterate, so he drew her a shopping list--- which today is priceless.