Quotes About Skill

I would like to shoot a better 3-point percentage, especially because the game is becoming more 3-point oriented.

I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.

I played djembe, percussion, keyboards and I sang.

The perfection of art is to conceal art.

I'm a better cook and more of a perfectionist than my mother.

Keep in mind, you can use Auto-Tune and you can know how to work it perfectly, but you still have to know how to write a good song.

Doing comedy is very difficult and if you do it perfectly you can do any kind of roles.

I'm fortunate to be a player who can do a lot of things well. Not everything perfectly, but several things well.

Excellence is being able to perform at a high level over and over again. You can hit a half-court shot once. That's just the luck of the draw. If you consistently do it... that's excellence.

The day you perform at the highest level you need your car to be best of the rest.

I perform in the major leagues of what I do. It's incredible.

At the end of the day, you have to go out on the grass and perform.

I think rock 'n' roll would become exponentially, considerably more difficult to perform past about 65.

To be on screen, you need to do a lot of other things. You need to look good. You need to perform well. You need to act well.

I want to perform well.

I mean these people who work on Broadway, in my opinion, are the most gifted of everyone. I mean they really know how to dance. They really know how to act. They really know how to sing. They know how to perform.

The more you perform and get out there, I guess the more practice you have at it and the better you are and the more comfortable you are on stage.

Most of the time - at the Grammys for example - a DJ will perform with just their hands in the air because they can't do anything and that makes it a little awkward, I think.

My form is more on the lines of a Chinese porcelain-jar juggler. They learn it as a child. They learn, learn, learn, learn - but not with a porcelain jar. Then, when they're ready to perform, they're taken to a museum, and they're given a porcelain jar for a lifetime to use. When they're done, it's returned to the museum.

You should be judged on your performances, not how long you've been around.

We all have levels of performance.

The bottom line is that your performance is made in the editing room.

When the audience enjoys your performance, you feel like a magician who is doing magic. It's a great feeling!

Success doesn't matter to me. I believe in performance.