Quotes About Practice

The guys who don't get a lot of minutes, you get a lot more practice, you're on the ice, you're getting maybe a better workout, though you might not be getting all of the game stuff.

I had a couple of different workouts I'd do. One routine was 250 shots. I'd try to get a friend rebound for me. I'd count them.

It's been good being able to go back to the Philippines, practice with the national team, do workouts and things.

I try to simulate as much as possible what we do on the field in my workouts, so when I get with the team I'm somewhere close.

Nearly every business collects metrics on inventory, sales, and workplace process. Health care has been slow to measure these kinds of outcomes. Increasingly, general medicine, via either managed care or large practice settings, is improving by collecting data through electronic records and refining practice based on what works.

I strongly oppose the Employment Non-Discrimination Act. We must stand for the right of every American to practice their faith according to the dictates of their conscience, whether it be in the public square or in the workplace.

Put bluntly, the American church today accepts grace in theory but denies it in practice. We say we believe that the fundamental structure of reality is grace, not works - but our lives refute our faith.

The amateur tweets. The pro works.

Basically, if you work hard and practice an instrument every day, you'll learn how to play like a professional. You'll get better and better each day. And that's how it works for me. I wasn't magically inclined to play. I had to keep practicing and practicing to train my fingers.

Everybody in the NBA works on their game. I just tried to follow that lead when I was in high school, college - and now.

Seeing how hard Diana Taurasi works in practice has been amazing. She takes it to another level and is basically another coach on the floor.

Indiana is a state that works because conservative principles work every time you put them into practice.

No, I haven't taken training as such but I used to attend all those 7 day workshops before the play. Those workshops aren't so professional but it's enough to give you a good idea what acting is all about.

Maybe I wish I could be out there on the big occasions playing like I did at my peak, but I certainly don't miss the six and seven hours a day practice that went hand in hand with being world champion in the nineties - or losing to guys knowing that it would never have happened when I was at my best.

Obviously, we don't want to go into a World Cup thinking low about the team. We are very positive and had some good practice matches, which should give us confidence.

There is mental as well as physical fatigue. You have to cry, scream, keep on repeating the same dialogue till you get it right.

Every day, I was on the street dribbling, doing skills. I wasn't in an academy till I was 19.

It has always been my practice to cast a long paragraph in a single mould, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work.

Till now, I've not had the chance to dance in my films, but in 'Tej I Love You,' I have to dance. I know Sai Dharam Tej is a good dancer, so I am putting in a few hours of practice with the choreographer.

I'm heavily involved in the creative with choreographer Christopher Scott. I go to rehearsals with 'Glee' and then practice with LXD till about midnight.

Hema ji is a dedicated artist and a perfectionist who continues to rehearse on her lines till she gets them right.

I started playing drums at three, then piano at five, then clarinet. But it wasn't till I picked up a saxophone aged 13 that I really got serious about music.

As a kid, I used to sit there and figure out how to play everybody's song, and through learning all those songs I learned how to put chords together, and it evolved till I could say, 'Hey, I just wrote that.'

To perform on stage, you have to run through your paces till you are perfect. Despite the script and director, the actor makes or breaks the play.