Quotes About Practice

I was writing 'Outlander' for practise and didn't want anyone to know I was doing it. So I couldn't very well announce to my husband that I was quitting my job and abandoning him with three small children to visit Scotland to do research for a novel that I hadn't told him I was writing.

My father - he was an orthodontist - was supposed to sell his practice and move down to Florida, but that never happened... I would sometimes spend the summer with him and visit him, but he never lived with us.

Visiting Iskcon is a practice for my parents where I observed people involved in dance and music. It left a huge impact on me.

When it comes to vibrato, a lot of people look at their hands when they do it. Which is pretty much of no use. Because vibrato is one of those things you have to hear. There are some guitar things where the visual is really useful, like seeing chord shapes or scale patterns. But vibrato isn't one of those things.

What I do is I get the sheet music and I put it out for myself and then I use a visual tuner to go through each note individually. And every time I make a mistake, I start the song over again, so I use the muscle memory of intervals and then watching that tuner, and then a lot of repetition.

Visualization - it's been huge for me. Your mind doesn't know the difference between imagination and reality. You can't always practice perfectly - my fingers will play a little bit out of tune, or my dance moves might not be as sharp - but in my mind, I can practice perfectly.

What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.

I was not really scared on my spacewalks. We practice so much and need to stay so focused that it has a calming effect on me. I do a kind of visualization and meditation in the airlock prior to going outside, to guide my first activities once I get out in space.

In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.

First of all, magicians practice a lot. It requires a lot of discipline. Second, you can't be afraid to be a leader, to go onstage, and you learn to have presence. You need to be able to visualize and connect and create. Most important, you learn to think outside the box.

You can visualize, and you can try to trick yourself into thinking a certain way. There's all kinds of things you can do to try to get in the right spot mentally. But at the end of the day, to have real confidence, you've got to be doing good at your craft.

The practice of peace and reconciliation is one of the most vital and artistic of human actions.

I feel preparation is a vital part of music as without it, the spontaneity goes haywire.

I hadn't been practicing or playing or anything. But that had been a vital part of my life.

I retire to make way for an abler man. In my four years as attorney general I have aged about ten years, but when I have get back to the practice of law, I hope to show those lawyers that I still have some vitality left.

Dancing all night and then vocal lessons right after was hard and not unusual - but I enjoyed it.

I do a lot of vocal exercises and drink hot tea, which I hate.

I always want to pick songs that are really crazy rangy, and sometimes those low notes aren't there. But I started taking it way more seriously after a certain point, and I started doing vocal warm-ups every day, even when I wasn't singing, sometimes twice a day.

We are the kind of people who obsess over one word... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.

I could probably use some tips from a vocal trainer or something about breathing, but we all know it's not about technical prowess.

That's right, I take vocal lessons - done it for years. There's nothing wrong with it.

The vocal chords are like most other muscles that need to be worked out.

It's very easy in the studio to get overzealous with your vocal takes, thinking, 'Oh yeah, I can do it over and over. I can sing at the top of my range for this whole song.' But when you're doing it every night on the road, it's pretty intense.

In the ring, you're constantly working out and honing your craft, and you're doing the same thing with acting, too - taking classes and working with vocal coaches.