Quotes About Horror

Now that she was in the secret, now that she knew something that so much concerned her and the eclipse of which had made life resemble an attempt to play whilst with an imperfect pack of cards, the truth of things, their mutual relations, their meaning, and for the most part their horror, rose before her with a kind of architectural vastness.

But if he isn't a gentleman — What is he? He's a horror.

Esta vez era otra persona…, una figura de inconfundible maldad: una mujer vestida de negro, pálida y horrible… ¡Oh, qué aire el suyo, qué cara…! Estaba del otro lado del lago. Yo estaba allí con la niña, muy tranquila en ese momento, cuando de repente apareció.

It is the obscene horror, the dry, fucked-out aspect of things which makes this crazy civilization look like a crater. It is this great yawning gulf of nothingness which the creative spirits and mothers of the race carry between their legs.

Nothing would be regarded as obscene, I feel, if men were living out their inmost desires. What man dreads most is to be faced with the manifestation, in word or deed, of that which he has refused to live out, that which he has throttled or stifled, buried as we say now, in his subconscious mind. The sordid qualities imputed to the enemy are always those which we recognize as our own and therefore rise to slay, because only through projection do we realize the enormity and horror of them.

whenever in my life I have gazed too long upon Beauty, particularly the beauty of the female, I have always experienced the sensation of fear. Fear, and a touch of horror too.

Like the legendary Big Sur: full of violence, horror, incest, broken dreams, despair, loneliness, insanity and frustration of every sort.

Consider all this; and then turn to this green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half known life. God keep thee! Push not off from that isle, thou canst never return!

But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through the transparent air into the summer sea, no more to rise forever.

Ambiguity and the horror of possibility play a part in so many of my favorite horror stories: Shirley Jackson's 'We Will Always Live in the Castle,' Mark Danielewski's 'House of Leaves,' Victor LaValle's 'Big Machine,' Charlotte Perkins Gilman's 'The Yellow Wallpaper,' Stewart O'Nan's 'The Speed Queen,' and so many more.

And I'm auditioning right now for a movie, and then I have a script that I'm reading right now for a horror film, and I'm meeting for a couple of television shows that I just had yesterday, and pretty much was offered one of them.

I personally feel like an exorcism movie without God is like a western without hats. Sure, you can do it, but why would you try?

I have a song called 'Young Voorhees,' because I like to call myself the new Jason Voorhees, and it samples 'Courage the Cowardly Dog.'

Whenever I would see horror movies I would be traumatized and I'd have to watch them behind my hands or behind the couch sometimes. So I grew up first with authors like John Bellairs and R.L. Stine for kind of the young adult horror. But I found Stephen King in the sixth grade and that was it. I became a rabid fan.

I grew up watching horror films from a very young age. My sister was never able to watch scary movies; I don't think she'll ever watch mine because she's just so bad at it. Its funny because I'm the complete opposite: I love to be scared. I love to have that fear before you go to bed, and you're like, 'Oh my God, please, nothing come out.'

'Poltergeist' was the film that scarred me for life. I saw it at such a young age - 5 or 6 years old - and it has one of the creepiest doll sequences with the clown, and ever since then, I've just been fascinated by dolls.

I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.

For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.

One can't live with a child of Holocaust survivors without absorbing some of the same sensibilities that her parents transmitted to her as a young girl. It is an unspoken dread, a sense of fragility, an anxious anticipation of unseen horrors.

People say you're trapped in this genre. You're a horror guy. I say wait a minute - I'm able to say exactly what I think. I'm able to talk about, comment about, take snapshots of what's going on at the time. I don't feel trapped. I feel like this is my way of being able to express myself.

To some degree, this re-release is to let people remember what the first 'Saw' film was, and let them know there was a time in the 'Saw' history where it wasn't all about blood and traps.

Let women write horror. Let women write darkness, let women write trauma, without having to carve out their own trauma to justify it.

I think the violence in 'The Hills Have Eyes' and 'High Tension' is much more traumatic than 'Piranha.'

I tend to fall more into the fun horror genre than the traumatic horror genre. I love the films where you're laughing as much as screaming, but that doesn't mean I don't like the other ones.