Quotes About Horror

l'oppressione, l'orrore, i massacri erano terminati per sempre. Il mondo progredito non li avrebbe più tollerati.

The dying: he sensed them all around him. Through the stink of mud and smoke rolled the smell of blood, heavy and sweetly enticing. His thirst rose, independent of his horror. Thirst and revulsion. The powerful tang of death and blood congealed in the back of his throat.

THERE IS A LOVELY LITTLE horror story about the peasant who started through the haunted wood—the wood that was, people said, inhabited by devils who took any mortal who came their way. But the peasant thought, as he walked slowly along: I am a good man and have done no wrong. If devils can harm me, then there isn't any justice. A voice behind him said, "There isn't.

There is a sweet little horror story that is only two sentences long: 'The last man on Earth sat along in a room. There was a knock at the door…' Two sentences and an ellipsis of three dots. The horror, of course, isn't in the story at all; it's in the ellipsis, the implication: what knocked at the door. Faced with the unknown, the human mind supplies something vaguely horrible.

Why is it that the lover of horror cannot stand the sight of the crucifix? Why is it that the fanatics of murder stories are so cold to the story of the world's greatest sacrifice? The answer is that, unlike all other crimes, the crucifix accuses us.

The modern horror audience is wise to our tricks this lets it in on the gag.

If you were a kid in the 1950s, and you got nightmares from a story in a horror comic book, you have Al Feldstein to blame. If you were a kid in the '60s or '70s, giggling at 'MAD's prankster wit, you have Feldstein to thank.

When I was a kid, I used to sneak down the stairs when my folks were listening to 'The Witch's Tale' and 'Inner Sanctum' on the radio. I went to see 'Frankenstein' in the movie theater and got the pants scared off of me.

I love 'Paranormal Activity' because it scares you more with little effort. I like 'The Blair Witch Project' and the 'Omen' series and 'The Exorcist.' I love 'Exorcism of Emily Rose.'

What's really scary about the original 'Blair Witch' is that it doesn't really answer any questions, so what makes that ending so scary is you walk out feeling dirty because you don't even know what happened. It feels wrong.

'Paranormal 1' scared me because I didn't know if it was real or what. 'Blair Witch' was kind of scary for the same reason. It takes the voyeur element away and makes you think, 'Oh crap, this could really happen to me.'

I was watching 'Sabrina the Teenage Witch' - the episode where Sabrina and her friend make a vampire movie for college. I wanted to see if it would be fun to make a horror movie.

The movie that scared the hell out of me was 'The Blair Witch Project.' I can't remember another movie that scared me the way that one did.

'The Blair Witch Project' is a great movie.

Since the release of 'The Witch,' I'm actually much more warm towards bad horror movies than I was making 'The Witch.'

Europe is so much the home of Horror, with its myths of vampires, werewolves, witchcraft and the undead, yet it's like those myths were exported to Hollywood, leaving Europe the room to develop a new tradition as a way of processing its traumas, particularly the two world wars.

A lot of the main characters in horror movies are outsiders as well, so that outsider syndrome reverberates within horror fans and geeky collectors. It's kind of a rallying call that brings fans and collectors together who are a little socially retarded, maybe.

As the Ebola virus continued to consume my patients, I witnessed the horror this disease visits upon its victims, the intense pain and humiliation of those who suffer with it.

It is a horrible fact that we can read in the daily paper, without interrupting our breakfast, numerical reckonings of death and destruction that ought to break our hearts or scare us out of our wits.

I remember, as a young Catholic girl in high school, seeing 'The Exorcist,' and it scared the wits out of me.

Horror stories give us a way of exhausting our emotions around social issues, like a woman's right to an abortion, which I always thought was the core of 'Rosemary's Baby,' or the backlash against feminism which I always thought was the core to 'Stepford Wives.'

Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins.

The figure of the witch was interesting to me, because of the primal, archetypical witch nightmares I had, even as an adult. But as a kid, it started with Margaret Hamilton in 'The Wizard Of Oz' as this inescapable horror.

I think I'm part of a generation of crime writers all of whom woke up independently and recoiled with horror at the fact that we'd chosen this very conservative genre.